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...White House switchboard with the list of people he wanted to interview in Atlanta: "Tell them to call me." The indefatigable operator reached Washington Lawyer Joseph Califano, who was a special assistant to Lyndon Johnson, in the midst of a Georgetown dinner party. The bash included, in addition to Fritz and Joan Mondale, Washington Post Publisher Katharine Graham and a platoon of Washington journalists, among them Roger Mudd of CBS, Jack Nelson of the Los Angeles Times, and TIME'S Jerrold Schecter?hardly a crowd designed for secrecy. Nobody bought Califano's white lie that he had been talking...

Author: /time Magazine | Title: THE TRANSITION: DOWN TO THE 'SHORT LISTS' | 12/20/1976 | See Source »

...outstanding choice, but was she a good manager? He agreed with the suggestion that a select dozen prospects, most of them candidates for Defense and Treasury, come to Atlanta that Tuesday for personal interviews. As Jordan finally prepared to leave, Carter called to him, "I'll phone Fritz tonight and see if he agrees with our list...

Author: /time Magazine | Title: The Nation: PICKING THE TEAM WITH HAM & FRITZ | 12/20/1976 | See Source »

Though Carter was calling all the shots himself, he was keeping Fritz Mondale and Jordan with him at the center of the selection process. The three men had started their work just before Thanksgiving, when they sat alone for three hours in one of the huge formal living rooms of Blair House. Each man ticked off names for various departments. When Jordan declared at one point that a certain businessman would make a good No. 2 man in a big department, Carter broke in: "No, let me decide that." He would obviously keep tight control...

Author: /time Magazine | Title: The Nation: PICKING THE TEAM WITH HAM & FRITZ | 12/20/1976 | See Source »

Fellow Minnesotan Fritz Mondale's choice as Agriculture Secretary . . . Age 48 . . . Congressman from a farm district since 1970 . . . Was prominent draft-Humphrey backer until H.H.H. dropped out, then switched to Carter...

Author: /time Magazine | Title: The Nation: JIMMY'S TALENT FILE | 12/20/1976 | See Source »

...written in D Major, which signifies, in Mozart, an emphasis on orchestral sonority. Shumsky promoted this interpretation with considerable success. The HRO spun through the four movements, permeated with tricky cutoffs and entrances, with flair and vitality. The bassoon work was especially fine. In two cadenzas written by Fritz Kreisler, Shumsky livened up the work (which does not have the force of the mature Mozart's masterpieces) with spectacular double-stopped trills and breakneck-speed runs...

Author: By Jay E. Golan, | Title: On the Right Track | 12/8/1976 | See Source »

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