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Word: freudianized (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Clever, opium-puffing Producer Cocteau (his fans call him "the cleverest man alive") has allowed his pipe dreams only a soupcon of surrealist-Freudian flavor. The surreal touch is applied to several scenes with absolute poetic Tightness: by retarding to slow motion Beauty's terror-struck sprint through the Beast's castle, Cocteau conveys every decibel of the shriek she cannot release. There is also plenty of surreal wit: the Beast's eyes, ears, nose and fingernails fume when the fires of lust blaze up in him; and Beauty's tears turn to diamonds...

Author: /time Magazine | Title: Cinema: Good & French | 12/29/1947 | See Source »

...Mannons were the first family of a small New England seaport of 1865. Through the body of their Freudian existence, O'Neill has rammed the misfitting dramatic skeleton of the Greek trilogy, Oresteia...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 24, 1947 | 11/24/1947 | See Source »

...play-let alone a great Greek play. But it is a play that hankers after greatness (and Greekness) like a schoolgirl with a crush on a bust of Aeschylus. By attempting to dramatize the Oedipus complex on a framework of Greek drama, O'Neill produced a travesty of Freudian thought and something like a parody of Greek tragedy...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 24, 1947 | 11/24/1947 | See Source »

...would take a Freudian to detect what shame-free message Gugel has thus found in Cinderella, but churchgoers will be likely to find his surrealist chapel disturbing. By last week Gugel had completed the two side panels for the altar. One of them showed a ship built up from a thumb and forefinger keel, with its sail tattered and twisted about half a face. The title: "Resurrection" (see cut). The other panel, "Martyrdom," was even more obscure. It consisted of a mask, a bloody accordion, and some high-heeled shoes in the snow...

Author: /time Magazine | Title: Art: Cinderella Without Shame | 11/17/1947 | See Source »

...overdressed men and women wiggle about inside an invisible (and nonexistent) wall in the center of the stage, waving long-stemmed glasses, nodding their heads furiously, and shouting in fearful chorus, "Yatata, yatata, boloney, mismosh, rubbish, yatata." The third impressionist scene is "Allegro" itself: the title song, a freudian ballet, and the gyrations of the projected backdrop displaying the tempo of modern life--allegro...

Author: NO WRITER ATTRIBUTED | Title: Allegro | 9/29/1947 | See Source »

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