Word: frequently
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Dates: during 1960-1969
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...hope or assumption that this kind of thing could not happen to them. (In these matters, the faculty have a great deal to learn from the student militants, who for all their factionalism, have a keener sense of solidarity; hence the universal cry for amnesty and the frequent demand for collective responsibility. We have all the more reason to be grateful to Prof. Stanley Hoffmann for his letter of reproof and indignation...
...Princeton's 42-0 win over Penn Saturday indicates that the team has improved considerably since losses to Rutgers and Colgate and narrow victories over Cornell and Columbia. Coach Jake McCandless new offensive system isn't so new anymore, and mistakes are less frequent...
...Frequent Visitor. A central if somewhat mysterious character in the affair is Nathan Voloshen, 71. Ostensibly, Voloshen is a Maryland attorney with New York connections, but his real trade is opening doors in Washington. He was named by the SEC as the link between Sweig and Parvin/Dohrmann. For his services in making the connection, Voloshen received $50,000 from the grateful firm. When Parvin/Dohrmann Chairman Delbert Coleman sought the services of Voloshen, there was little doubt that he could produce. Voloshen's was a familiar face in the Speaker's suite, a fact attested to by Herbert...
...call modern development," says one intellectual. "We tend to equate you with machines for whom there is no deep thinking." Says another: "Americans have no culture, unless you call beer and big bosoms culture." At Saigon's Cercle Sportif and around upper-middle-class dining tables, a frequent topic of conversation is "la gaucherie americaine"-which may include anything from the way G.I.s gun their big trucks through Saigon's streets to the contention that one U.S. embassy official speaks to President Thieu as though he were a "houseboy." Americans are blamed for ruining once beautiful Saigon...
...exercise in self-aggrandizement for what goes in the marketplace. Peter Selz, director of Berkeley's University Art Museum, observes: "Today's young artists reject pure color paintings as establishment art. They are more interested in changing our total environment." Nonetheless, aside from the majestic scale, the frequent emptiness and the su-persimple icons of the past three decades, there is a lesson to be learned from the Met's show. It is that American artists have persistently practiced a kind of aesthetic brinkmanship in taking an idea to its logical, if sometimes totally irrational conclusion...