Word: frequenting
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Dates: during 1920-1929
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...present on Friday and Saturday evenings of this week at 8.15 o'clock and on Saturday afternoon at 2.15, in the Agassiz Theatre, Cambridge, Purcell's opera, "Dido and Aeneas." Assistant Professor Archibald T. Davison "06 of the Department of Music has had charge of the two organizations at frequent rehearsals during the past few weeks. Tickets are on sale at Agassiz Theatre, Amee's and the Co-operative Branch...
...March 22, 1920, in view of, some uncertainty in regard to the Cambridge water, a statement was made advising that the water be boiled. Since that time, the Cambridge water has been subjected to frequent careful analyses. These analyses have failed to show either that Cambridge water was unsafe, or that the Cambridge water differed at all from its usual condition at this time of year. In view of the fact that the analyses of the Cambridge water are now unusually satisfactory, and of the further fact that the general disturbances attendant upon thaws, etc., have subsided, there appears...
...benefit of its readers who frequent the theatres in Boston, the CRIMSON will hereafter publish on Wednesday mornings reviews of the plays which come to Boston. In addition to criticism, the dramatic column will contain jottings of interest to theatre goers...
...Advocate. Its editorials also have a wider range than the College Yard. The best of them on Labor in Politics is a good piece of sane and careful thought; the paragraphs on political ferment at Harvard and on prohibition are more in the manner of the Transcript's frequent badinage. The conservatives may read with misgivings the plea for liberalizing our curriculum still further through introducing a course on Hamlet by Forbes Robertson, with histrionic demonstrations of the lectures; but it must be remembered that Columbia has long since stolen a march upon us by establishing a course...
...work is Mr. Low's story, "Coudreaux." It has obvious faults of immaturity, such as the attempt to treat in so few pages a profound and powerful motive in which much depends upon thorough characterization; but its author reveals an embryonic skill in tense narrative and a frequent combination of force with stylistic sobriety which imply that he has studied the best French raconteurs, especially De Maupassant. The greater part of the verse is vitiated by the common modern misconception that poetry is more a matter of highly colored language or of vapory obscurities than of imaginative exaltation or sincerity...