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Walker, in the tradition of writer and political theorist Franz Fanon, builds upon Freudian psychoanalysis and Lacan's theory of dialectical identity to expose the underpinning mechanisms of racism in contemporary American society. Walker's catalogue book, riddled with references to the "Other," the "gaze" and "perversion," tackles the psychological foundations of racism in the context of a history of slavery. She successfully uses theories that have been applied to a colonial history to create a conceptual framework that addresses the unique perversities of a racism grounded in slavery. This is no small feat...

Author: By Velma M. Mcewen, CONTRIBUTING WRITER | Title: Collective Unconscious `Reconfigured' in Black and White: Kara Walker | 3/20/1998 | See Source »

Another alternative surprise is Chris Cornell, former front man for Soundgarden. He, along with the artist Eleven, delivers a poignant rendition of Franz Schubert's "Ave Maria" in Old English. One of the producers, Linda Feder, writes that Cornell "felt very strongly about wanting to do a traditional song, a classical piece, something that might turn young people onto classical music." Who would have thought the same guy who helped pioneer Seattle grunge could sing so magnificently...

Author: By Sumeet Garg, CONTRIBUTING WRITER | Title: Stuff Your Stocking | 12/5/1997 | See Source »

...collection moves with ease between fine works by major masters--Rembrandt, Pontormo, Rubens, Mantegna, Cezanne, Van Gogh, Turner--and illuminatingly good ones by less famous figures, such as Franz Xavier Winterhalter's coolly sumptuous portrait of a 19th century princess on the terrace of her villa in the Crimea, or a small, haunting study of a young girl by the Belgian Symbolist painter Fernand Khnopff. It is already a deeply serious and discriminating collection and may turn into a great...

Author: /time Magazine | Title: ARCHITECTURE: Getty Center and Guggenheim Museum in Bilbao: | 11/3/1997 | See Source »

...first serious contact with modernism, however, came at Black Mountain College in North Carolina, under the abrasive tutelage of the former Bauhaus instructor Josef Albers. The friendships he formed at Black Mountain--with painters Franz Kline and Cy Twombly, composer John Cage, dancer Merce Cunningham--continued when he settled in New York City. Rauschenberg has always had the strongest possible sense of creative community; his generosity with ideas, resources, support and money became an art-world legend, growing over the years...

Author: /time Magazine | Title: ART: ROBERT RAUSCHENBERG: THE GREAT PERMITTER | 10/27/1997 | See Source »

...insight into the social psychology leading up to the Second World War, simultaneously issues a warning to complacent audiences. He maintains that fascist ideas may take root just as easily in post-1945 democracies, born out of modern-day attitudes, traumas and decadence no different from those which Franz Biberkopf faced in 1920s Germany. Despite the minor flaws and over-exuberances of his technique, Fassbinder succeeds in encapsulating the attitudes and psychologies of the Weimar Republic in the life of a single common man. Reaching even greater brilliance, he then turns this depiction outward again, as his metaphors...

Author: By Erika L. Guckenberger, CONTRIBUTING WRITER | Title: Portrait of a Post-War Psyche Proves Marathon Mini-Series | 10/24/1997 | See Source »

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