Word: frankenstein 
              
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...Bride of Frankenstein (Universal). When Carl Laemmle Jr. resurrected the cadaver of an old story by Mary Shelley and sent it shuffling out with necrotic vivacity to become the box-office smash of 1932, he cannily left the door open for a sequel. Audiences went away from Frankenstein wondering whether the monster really died in the blazing mill that seemed to be his catafalque. Now, it appears...
...only a step from one's quarters but yards of red tape stretch from the lowly Freshman to the arrogant dean except when the former is about to resume permanent residence at his home. In fact, Harvard is not only "a hell of a big country" but a veritable frankenstein...
...strong offensive is the best way to subdue this frankenstein monster. He must defend himself against well-planned strategy which puny insects have conceived with the help of the monster's different members. This is the one method for successful vaccination against him if you do not possess that natural immunity, indifference. A successful campaign will gain you his respect and possibly in the distant future an honorary degree. Who knows...
...Universal was last week planning to produce Dickens' unfinished Mystery of Edwin Drood, with an ending supplied by some writer under Universal contract. Charles Dickens' face appeared in Universal's list of "Box Office Authors,' along with those of Edith Wharton (Strange Wives) and Edgar Allan Poe (The Raven). Frankenstein's monster wil again appear for Universal in The Bride of Frankenstein. Universal distributors last week were told that "the mere thought of the monster seeking a bride makes £ showman's fingers fairly itch." A classic with catholic tastes, Carl Laemmle Jr. Universal's birdlike little production chief last...
...attempt to create a super bloodcurdling picture both Dracula's Bela Lugosi and Frankenstein's Boris Karloff have been thrown together that two monsters are better than one does not work out in this instance. Displaying a remarkable lack of originality in terrorizing devices and effects, the picture is hardly one to make children scream and women faint. Even more important, the plot is so complicated and incoherent that all sense of sustained terrifying suspense is virtually lost. Two such master-monsters as Lugosi and Karloff deserve a better vehicle than "The Black Cat" when they meet to match wits...