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...ourselves making plays, making shots.” Goffredo was much more aggressive than he has been in recent weeks, drawing two shooting fouls on dribble penetrations in the first few minutes of the game. He connected on his first three-pointer with 13:03 left in the frame and followed it with a tough pull-up jumper in traffic. Goffredo then hit three-pointers on successive possessions, the latter tying the score at 29-29 with 7:39 remaining in the first half. “I was a little upset with myself the past couple of weeks...

Author: By Patrick T. Mcgrath, CONTRIBUTING WRITER | Title: Goffredo Finds Stroke, Drops 32 | 3/4/2007 | See Source »

...score was 7-4 in favor of the Seawolves at halftime thanks to a late Harvard goal by junior midfielder Zach Widbin, but Stony Brook scored the first three goals after the break to make the margin 10-4 with 6:50 to go in the frame. After an 11-6 score after three, both teams scored twice in the fourth quarter to achieve the final score. Scholl attributed the Seawolves’ surge to the same culprit that has plagued the Crimson all year—shooting. “We felt pretty confident after halftime...

Author: By Malcom A. Glenn, CRIMSON STAFF WRITER | Title: Men's Lax Offense Struggles in Second Loss | 3/4/2007 | See Source »

...wait-and-see attitude,” Donato said, citing the missing Bulldog stars as a possible psychological handicap. “I think they dictated the play a little bit more than we did in the first period.” Once the game entered the second frame, however, it belonged to the Crimson, and specifically to Reese, who capitalized a series of Bulldog penalties to net three consecutive power-play goals. “We wanted to use our speed and establish our forecheck and put them in a position where we were going to get scoring chances...

Author: By Daniel J. Rubin-wills, CRIMSON STAFF WRITER | Title: Reese's Hat Trick Powers Harvard Past Yale | 3/3/2007 | See Source »

...result is a gorgeous, dreamlike movie that's almost too perfect. Every frame is neat and composed, like an oil painting, not a hair or a grain of sand out of place. All noise and dissonance have been digitally eliminated. It's beautiful, but it's more beautiful than it is real. Movies are invigorated by the tension between the director and reality, the struggle of the artist to tame the reluctant, intractable world, and that tension is missing from 300. If you've ever seen Hearts of Darkness, the documentary of the disastrous campaign to make a very different...

Author: /time Magazine | Title: Movies: The Art of War | 3/2/2007 | See Source »

...complaints pending against "errant auto drivers", more than the total number of auto rickshaws in all of Delhi. Last year authorities inspected fewer than 5,000 autos for faulty meters, just under half of which proved defective. Still, a fare rise would help, insists Kumar. "It changes the frame of your mind." Until that happens, Delhi's auto rickshaw drivers will continue being honest about why they...

Author: /time Magazine | Title: Dishonesty Is the Best Rickshaw Policy | 3/2/2007 | See Source »

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