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Meanwhile, conceptual art maven Yoko Ono performed “Blueprint for a Sunrise” (2000), a call for peace and healing, at the List Visual Arts Center at MIT in late October. The List’s annual Max Wasserman Forum on Contemporary Art, which occurred last weekend, featured a panel of artists and critics who decried the war in Afghanistan and waxed nostalgic for the hippie mentality of the 1960s...
...disparate reactions of the musical community and the art world to America’s “war against terror” reveal the ever-widening rift between the two factions of expression. But this, of course, was not always the case. Last weekend, the Wasserman Forum presented a talk titled, “Losing the Revolution: A discussion on the loss of seditious potential when avant-garde art and rock music stopped sleeping in the same bed.” Although the discussion itself quickly degenerated into anti-war proselytizing and reminiscence about the good old days...
...conducted 39 interviews, and has had her research selected for presentation seven times to various organizations, including the International Sociological Association Convention on Childhood Sociology. Levey’s involvement with the ASA also won her a seat as the youngest member of the ASA’s Student Forum, a professional organization that oversees significant research on sociology and holds annual national conventions...
...have AE Michael Colton ’97 on board. Who’s Michael? These days, he works running some little project called Modern Humorist (www.modernhumorist.com). But more importantly, he’s the man, the myth, and the legend behind the original Gossip Guy, a safe forum for mocking Harvardians for five years running. And that’s the rest of the story...
After the Pledge of Allegiance, the forum opened to Public Comments...