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...inseparable from the story they enliven and enhance. The show's centerpiece, of course, is Billy's dancing, which ranges from tap numbers to classical ballet, as well as a striking Act I finale in which Billy, his chance at an audition thwarted, erupts into an emotional, free-form paroxysm of frustration and anger. But Peter Darling's choreography is perhaps most impressive in the intricately staged group numbers like "Solidarity," which brings together lines of cops, strikers and Billy's dance class for a pas de trois that both propels the story and stops the show...
...Task Force has been taking cues from restructuring successes in Harvard’s artistic past.The Committee on the Visual Arts provided one such paradigm, according to Bhabha. In her original mission statement for the Task Force, Faust acknowledged this, explaining that the Committee on the Visual Arts was formed when “Harvard began explicitly to explore its traditionally uneasy relationship to the arts, acknowledging that the University had long viewed the practice of the arts as most appropriately located outside the curriculum.”In April 1956, the Committee produced the Brown Report, nearly two years...
...shades of keyboard strongly evoke A Tribe Called Quest—at least until a squiggly techno-sounding synthesizer riff enters. It’s wonderful how Q-Tip combines disparate musical elements, both past and present, into one cohesive head-nodding unit. Lyrically, Q-Tip is in top form as well. What stands out on “The Renaissance” is not so much individual lines but the sensitive and intelligent way Q-Tip treats his subject matter. Whether he is rapping about his romantic relationships, familial bonds, or the state...
Yemenis are cautious for good reason, however, as the consequences of apostasy can take the form of extra-judicial violence, according to Yadav...
...play any 30 seconds of “Freeze,” “Blowing Up,” “Superstar Lady,” and “Digital,” and see if you can tell them apart. Relief comes in the form of the first single “Can’t Believe It” (featuring Lil Wayne). In this catchy song with sparse and snappy production—reminiscent of The Dream’s “Shawty Is Da Shit”—Pain promises things...