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Word: formatting (lookup in dictionary) (lookup stats)
Dates: during 2000-2000
Sort By: most recent first (reverse)


Usage:

...pale. Maybe the talk was too hot (listeners can't stay angry forever). Or political issues lost some urgency in a time when the economy was robust and, for most Americans, the rest of the globe ceased to exist (Bosnia, Belfast, world hunger... yawn). On radio, the sports-talk format took hold; so, late at night, did the extraterrestrial conspiracy theories of Art Bell and his guests. The Radio Right needed a new hook, and a close presidential election was just the thing to energize the commentators and their faithful. Gore might not have excited his fans, but he certainly...

Author: /time Magazine | Title: Radio Free-Fire Zone | 11/10/2000 | See Source »

...will hand-pick the chairs of the remaining committees next semester. Future plans for committee election format is as yet undecided, Pryor said...

Author: By Kirsten G. Studlien, CRIMSON STAFF WRITER | Title: Pryor Disbands IOP's Student Governing Body | 11/9/2000 | See Source »

...format, 8-4. The freshmen duo is Harvard's best doubles combination and came into the tournament as the No. 11 seed. Gresh and Cantey were seeded...

Author: By Alex M. Sherman, CONTRIBUTING WRITER | Title: Browne, Riddell Advance to ITA Semi-Finals | 11/6/2000 | See Source »

...From Allen's Alley came 50 or so books, nearly 8,000 songs (why?), a clever if starchy Great Men of History chat series called "Meeting of Minds" and a few more incarnations of the "Tonight" format (including a syndicated show in the late '60s that profoundly influenced David Letterman). He kept up the productive pace, but for smaller, older audiences - the remnants of the pop intelligentsia he had helped form. If Mensa had a nightclub for its senior members, he'd be the lounge...

Author: /time Magazine | Title: Bye-Bye, Steverino | 11/3/2000 | See Source »

...with an accusatory solemnity. The way Campos-Pons looks out from her self-portraits reminds me of how Frida Kahlo stares out of hers; the two artists both use the self-portrait as a vehicle for complicated meditations on maternity, pain and nationality. In "Nesting I" (2000), four large-format Polaroids set side by side, the two photographs in the middle show the artist with her eyes calmly shut, her face decorated with yellow and green paint, her shoulders and neck with cruel scratches. The wooden bird perched upon her head in both pictures looks robotic and menacing; since...

Author: By By KYLE Patrick smith, CONTRIBUTING WRITER | Title: Maria Magdalena Campos-Pons: Nesting and Karl Baden: Contact Sheet Self-Portraits | 11/3/2000 | See Source »

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