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COLOR ME BARBRA (CBS, 9-10 p.m.). The second Streisand special, which deliberately duplicates the successful format of the first. This time Streisand dances through a fantasy in the Philadelphia Museum of Art, swapping places with the paintings; she also clowns around a circus, doing a dance with some penguins, and winds up with a concert...

Author: /time Magazine | Title: Television: Apr. 1, 1966 | 4/1/1966 | See Source »

...energetic juniors have adopted the defunct Quincy newspaper, changed its name and format, and put out a number of issues with a regularity unusual for House periodicals. Other activists have founded the Quincy Drama Society, and have published the Quincy Drama Review. The Essay Society meets without ostentation on alternate Sundays to discuss a topical paper submitted by a member...

Author: NO WRITER ATTRIBUTED | Title: Quincy | 3/12/1966 | See Source »

...depth perspective into the picture plane, flattened by modern artists, became the byword of abstract expressionism, and he himself became the movement's prime mentor. In his Red Trickle of 1939, he pioneered the drip technique that his friend Jackson Pollock was to make his most famous format...

Author: /time Magazine | Title: Art: Schoolmaster of the Abstract | 2/25/1966 | See Source »

...first issue, three students analyze the war in Vietnam from opposing points of view. The editors plan to organize each subsequent magazine around a different important problem. In addition to student comment, every issue will contain an interview with a Harvard professor, miscellaneous essays, and book reviews. This format ensures a diversity of contributions which should keep the Review interesting...

Author: By Eleanor G. Swift, | Title: Dunster Political Review | 1/18/1966 | See Source »

...Holliday, Wyatt Earp, Billy the Kid, and Wild Bill Hickock sit on a raised platform (that's heaven, pardner) and from time to time offer "commercials" on "The Sixgun That Won The West," "The Indians of the Americas--A Veritable Tower of Babel," and such. The format is funny and the commercials (and their delivery) are for the most part very funny. Near the end of the play, each of the "heroes" reveals himself--Doc is a con man, Billy is a J.D., Wyatt felt it was his calling to murder, and Wild Bill, good ole Wild Bill, is queer...

Author: By Joseph A. Kanon, | Title: The Great American Desert | 1/17/1966 | See Source »

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