Search Details

Word: forain (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Manhattan art galleries held memorial exhibitions last week for a man who died in Paris five months ago in his 80th year: Jean-Louis Forain, biting satirist, master of etching and lithography, one of the greatest ecclesiastical artists since Rembrandt, one of the last giants of the 19th Century (TIME, July...

Author: /time Magazine | Title: Art: Forain | 12/7/1931 | See Source »

...father was a house painter, but young Jean-Louis refused to paint houses, refused to go to school. He played hooky to copy old masters in the Louvre. Degas took him up. After the Franco-German War Forain's cartoons suddenly caught on. From then until his death he was an established success...

Author: /time Magazine | Title: Art: Forain | 12/7/1931 | See Source »

...Hero Watkins' prizewinner was a large oval canvas entitled "Suicide in Costume." It showed the body of a grimacing clown with a smoking revolver clutched in one hand, sprawled over a bed. In manner it was a little reminiscent of the late great George Bellows and Jean Louis Forain...

Author: /time Magazine | Title: Press: 3oth Carnegie | 10/19/1931 | See Source »

...under U. S. Painter Maurice Sterne, who was a member of this year's jury of award. Conspicuously absent from the exhibition are the works of greatly famed artists. Among the well known names represented were: Sir John Lavery, who paints interiors, genre and Lady Lavery; Jean Louis Forain, famed French satirist; Bernard Boutet de Monvel, chic portraitist, one-time fashion artist for Publisher Condé Nast (Vogue, Vanity Fair). Many of the painters are hitherto unknown to the U. S. One of them-Mme. Tamara de Lempicka -attracted much attention with her monotone grey Portrait of Doctor...

Author: /time Magazine | Title: Art: Pittsburgh's 28th | 10/28/1929 | See Source »

...nothing that was incoherent. Gaugin's bizarre self-portrait seemed to link his face with his own favorite Tahitian fruits; the sardonic humor of the piece was queer but clear. He displayed also a serene Breton landscape, a lovely canvas which could cause no retching among the most conservative. Forain's aphrodisiac The Charleston showed two vibrant white dancers, several paunchy satyr-spectators, was a triumph of contemporary comment. Picasso's The Mother, a suggestion of haggard peasantry, was as successful in another field. There were gusty, sulphurous landscapes by de Vlaminck, fanciful figures in delicately modulated colors by Eugene...

Author: /time Magazine | Title: Thrills & Dales | 11/5/1928 | See Source »

First | Previous | 1 | 2 | 3 | 4 | 5 | 6 | Next | Last