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Prime & Proportion. In brown-eyed, British-born Margot Fonteyn, Sadler's Wells had its coloratura. Her perfectly proportioned ballerina body (5 ft. 4 in., 112 Ibs.), her effortless grace and technique had U.S. ballet connoisseurs and critics going back for comparisons to such ballet immortals as Anna Pavlova, Olga Spessivtzeva and Tamara Karsavina, the sometime partner of the great Nijinsky. Just behind Fonteyn were two other fine dancers who could take her roles: tall, handsome Beryl Grey, 22, and flame-haired, 23-year-old Moira Shearer, dancing star of the British film The Red Shoes (which...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...masculine side the company was weaker. At 40, Choreographer-Dancer Robert Helpmann seemed past his prime as a soloist-although as a danseur noble he showed off the sparkling Fonteyn like a diamond ring. Handsome Michael Somes, 32, had had his career interrupted by four years in the British army during...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...acts and a wedding (only the last part is familiar to most U.S. fans), audiences sat enthralled while Princess Aurora was christened, cursed by the wicked fairy, and put into the long sleep from which she is awakened by the prince's kiss. The third-act duet by Fonteyn, the princess, and Helpmann, the prince, never failed to stop the show. In Swan Lake, few fans had ever seen anything so magnificent as Margot (Queen of the Swans) and her flock (the corps de ballet) huddling and quivering in terror before the evil magician...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...already adopted her mother's maiden name ("Who could dance with a name like Hookham?"), still later changed Fontes to Fonteyn (pronounced Fontaine). She worked with Markova in ballet after ballet, studying her technique, watching every motion and emotion...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...could: "At the end of the lovely pas de deux ... so tense was the audience that one could hear the trickle of the tiny stage fountain above the closing notes of the clarinet." Last April, after a gala performance for Queen Elizabeth, the Evening Standard described the new Fonteyn: "Discarding the steely glitter that has sometimes divorced her from our deepest affections, she danced with simplicity, great feeling and unrivaled grace...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

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