Word: fonteyne
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...When I am dancing with him," says Dame Margot Fonteyn, "and I look across the stage, I see not Nureyev but the character of the ballet. I don't see, as I do with others, a man I know and talk to every day. I see the ballet. He is how I would like to be, and he makes it easier for me to dance as I wish...
After the curtain had fallen last week on the Royal Ballet's production of Giselle at London's Covent Garden, Dame Margot Fonteyn plucked a single long-stemmed red rose from one of her many bouquets and with a deep curtsy presented it to her young partner-ex-Kirov Ballet Danseur Rudolf Nureev. The young Russian lowered his eyes, sank to his knees and kissed the assoluta's hand. The audience exploded in an ovation that lasted through 23 curtain calls...
Ever since Nureev defected while in Paris with the Kirov Ballet (TIME, June 23, 1961) and began to be hailed there as a major star in his performances with the Marquis de Cuevas Ballet, balletomanes have dreamed of a Nureev-Fonteyn partnership. Nureev, 24, comes from a Ural peasant family, had danced with the Kirov company for ten years at the time of his defection. Ballet fans who have watched him in Paris call him the outstanding male dancer in the West-and probably in the world-and compare him favorably with Nijinsky. A gifted soloist, he is also known...
During the first act of last week's performance, the audience was sparing with its applause, although Nureev, impressed with his quiet authority, and Fonteyn danced radiantly, even if her hand positions seemed awkward at times. It was in the second act that Nureev-Fonteyn captured their audience. Nureev put on a breath-catching display of classic male dancing, lifted Fonteyn effortlessly aloft, spurred her on to a performance full of fluency and lyric ardor. At the ballet's climax, when Fonteyn cradled Nureev's head in her arms as he lay on the point of death...
Title role of Persephone was danced by Lithuanian Ballerina Svetlana Beriosova. heiress apparent to Margot Fonteyn as the company's prima ballerina. Actually. Persephone's "dancing" proved to be little more than occasional rhythmic movements, far less important than the recitation of Gide's text, which Beriosova accomplished in a mellifluous voice with the aid of a microphone concealed in the neckline of her dress. The ballet's best dancing parts were reserved for Pluto (Keith Rosson) and Mercury (Alexander Grant). Dancer Grant appeared nearly naked wearing white briefs and a rigid, long-bobbed gold...