Word: flesh
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...Unlike the Chancellor, who is a first-rate orator in both German and English, Kohl has an unfortunate tendency, as one journalist put it, to use "ten sentences when one will do." And if Schmidt is ill at ease among crowds, Kohl likes nothing better than to press the flesh. Says Kohl: "Schmidt and I are antitypes...
...problem was, you see, that Catherine Oxenberg, 215 King's Road, Chelsea, London, England, SW3 was nothing more than a I-in, by 1 1/2-in. picture in the Freshman Register. She had a telephone number and a campus address in Canaday Hall, but Catherine Oxenberg never became the soft flesh and silky hair we yearned for. She never showed...
...feral carnivores out of The Blackboard Jungle; the girls are pert Circes out of a sophomore's wet dream. The nice guys surf, smoke dope and screw around; the bad ones torch autos, walk with a surly Gestapo swagger and carve their initials in the nearest human flesh. There is never a dull moment, never a suspension of disbelief, never a security guard around when the rowdies are methodically tearing the place down. Everybody at Contact High, from prom queen to thug, is dazzlingly photogenic. Nobody ever cracks a book...
Horror has been frightfully good to Author Stephen King. He expects to earn about $2 million this year, mostly as a result of making people's flesh crawl. The number of his books in print (predominantly paperbacks) climbs toward 40 million. Indeed, his pot currently boileth over. Creepshow, an original King screenplay directed by George Romero (Night of the Living Dead), will be released in October; a $6.95 comicbook version of the script has just been published by New American Library as part of the promotional hoopla. An adaptation of Firestarter, the sixth of King's seven novels...
Rochberg has done his best to flesh out the unpromising material. The opera, his first, is filled with striking set pieces: a lyrical duet for China (Tenor Neil Rosenshein) and his wife Annabella (Soprano Sunny Joy Langton); an ominous interview between China and his moneyed friend Orchis (Tenor Michael Fiacco), whose threatening nature is underlined by a snap-pizzicato line in the low strings; a good-natured, bibulous ensemble lauding the joys of wine. In his handling of the choruses, Rochberg is especially skillful; indeed the final chorus, extolling the virtue of confidence, recalls the Falstaffian spirit of Verdi...