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...largely the fault of directors David Eggar and Marc Spraragen. The directorial analysis of the characters' fanaticism is superficial; most subtlety is abandoned for effect. Though the characters are unable to see the fanaticism in their lives, the directors have a responsibilty not only to recognize it, but to flesh it out. But in this play, there is no theatrical middle ground--if Javerbaum underplays his role, Munger and Wolkenbreit more than compensate with their overacting. Munger's portrayal of the crude misogynist, Karl, is far too simplistic; he wears a foolish leer on his face throughout the play. Wolkenbreit...

Author: By Suzanne PETREN Moritz, | Title: Durang's Family Tragedy | 10/26/1990 | See Source »

When answered, these questions generate some genuine pathos. Still, despite his professed admiration for eroticism in fiction -- his book of essays on Flaubert is called The Perpetual Orgy -- Vargas Llosa seems uneasy with the conventions of the naughty book. For all his celebrations of the flesh -- his own and Lucrecia's -- Rigoberto might have been happier if he had got out a little more, maybe even run for President of Peru...

Author: /time Magazine | Title: Books: Little Snake | 10/22/1990 | See Source »

...revenge. The nature of their real and perhaps not conscious motivations is a subject of much debate. Some anthropologists postulate a ) murderous instinct, almost unique among living species, in human males. Others discern a materialistic motive behind every fray: a need for slaves, grazing land or even human flesh to eat. Still others point to the similarities between war and other male pastimes -- the hunt and outdoor sports -- and suggest that it is boredom, ultimately, that stirs men to fight...

Author: /time Magazine | Title: Essay: The Warrior Culture | 10/15/1990 | See Source »

...never have the singularity of being that leaps from his best male portraits. They are always cast in the passive voice: the madonnas with their union of tenderness, patrician grace and a certain country solidity, and the nymphs and goddesses (Venus especially), those Venetian odalisques whose weighty gold- pink flesh may not conform to modern conventions of beauty but excited Titian's contemporaries to rapture. There too Titian embodied the assumptions of his time, place and class. What terser image of sociosexual politics in 16th century Venice could one ask for than Titian's Danae, princess of Argos, seduced...

Author: /time Magazine | Title: Art: An Appetite for Human Character | 9/17/1990 | See Source »

...place of the familiar panoramas of flesh-ripping Godzillas, Horner describes the most common dinosaurs as "the cows of the Mesozoic." He has found the remnants of one dinosaur herd -- an estimated 10,000 waddling, plant-eating duckbills. Even Tyrannosaurus rex seems less terrible in his revisionist view. Horner believes it followed herds of triceratops, scavenging carcasses and occasionally preying on weak individuals, much as hyenas follow wildebeests in Africa. Artists' renderings of pitched battles in which a triceratops tries to gore a tyrannosaurus in the belly are misleading. Triceratops was more likely to use its horns as a modern...

Author: /time Magazine | Title: JACK HORNER; Head Man In the Boneyard | 9/10/1990 | See Source »

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