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...Vrije Volk: "The highest praise can scarcely suffice . . . They have made us aware that along with the harshly materialistic, there is another America." In Braunschweig, West Germany, the Goslarsche Zeitung critic ran out of superlatives: "How can one write criticism when the whole evening was without a flaw?" Acclaim awaited the quartet in small towns as well as big: In Sweden's Malmo (pop. 192,498), they turned down an offer of a three-month teaching contract; in a town in the French Alps they were toasted in champagne by the local chamber music society. Financially, the tour...

Author: /time Magazine | Title: Music: The Bang-Bang Quartet | 1/18/1960 | See Source »

...away. It is only after Charley is caught that Gary's book makes a descent into sentiment, coming closer to Dickens than to Evelyn Waugh, who also told (in his hilarious Put Out More Flags) of brattish evacuees on the loose in the English countryside. But the sentimental flaw is minor, and the book makes its point well: adolescence is a chrysalis whose occupant can be hurt, but not helped much, by the world outside...

Author: /time Magazine | Title: Books: Story of a Bad Boy | 1/18/1960 | See Source »

...secret, best guess is that 35 have come off the lines, of which five have been lost in accidents; another nine have been damaged, and of the nine, only two of the birds could be put back into flight condition. The accidents did not stem from any basic flaw in design. Most of the troubles came from unrelated, random-type failures that plague every missile, including the Atlas, which failed five times in a row earlier this year before the bugs were taken out. The big problem is that Martin has had not only routine troubles but so many plain...

Author: /time Magazine | Title: MANAGEMENT: Titan's Troubles | 1/4/1960 | See Source »

Perhaps the main flaw in the film is the direction, the joint venture of Lev Kulijanov and Yakov Siegel. Although it is supposed to be a continuous story, the movie emerges as a series of different episodes--each one ending with a fade-out that lingers too long on a symbol. This effort at realistic symbolism fails because it is not consistent throughout the film. As soon as the viewer realizes that there will only be a symbol before every fade-out the imagery becomes obvious and uninteresting. The direction lacks subtlety and the camera work is fairly pedestrian...

Author: By Alice E. Kinzler, | Title: The House I Live In | 12/7/1959 | See Source »

...Taste of Lemon. The flaw in all the research was that by 1957, when Edsel appeared, the bloom was gone from the medium-priced field, and a new boom was starting in the compact field, an area the Edsel research had overlooked completely. Edsel's styling, in particular the grille, which resembled an Oldsmobile sucking a lemon, was not much help, even after the lemon was removed. In its first six months Edsel made 54,600 cars, and then went steadily downward: 26,500 cars in 1958, fewer than 30,000 cars so far in boom-time...

Author: /time Magazine | Title: AUTOS: The $250 Million Flop | 11/30/1959 | See Source »

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