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Professor Seznec is an authority on the works of Flaubert and on the art of the renaissance. He was originally appointed to a lectureship here in 1939, but was mobilized in the French Army in the fall of that year. After the fall of France, Professor Seznec returned to the United States. He has served on the faculty since 1940. Professor Seznec is a Docteur-es-Lettres of the University of Paris, and has taught at several institutions in Europe and in the United States...

Author: NO WRITER ATTRIBUTED | Title: Seznec Is Among Five Faculty Men Named to Chairs | 5/29/1947 | See Source »

...current literary enthusiasms, the young Welsh poet, Dylan Thomas (TIME, Dec. 2). He also has the more durable gold of an original imagination. When both are kept in hand, he can write a story with all the finely selected observation (though not the humanity) of Flaubert. The Cleaner's Story, first in this book, is like that...

Author: /time Magazine | Title: Books: Glitter & Gold | 4/21/1947 | See Source »

...According to Novelist Gustave Flaubert, Satan once disguised himself as the Queen of Sheba, exclaimed to Anthony: "I am not a woman; I am a world. My cloak has only to fall for thee to discover a succession of mysteries...

Author: /time Magazine | Title: Art: Temptations of St. Anthony | 3/25/1946 | See Source »

Harlem-born Philippa, a mulatto, is a pretty girl who reads Nietzsche, Flaubert and Dostoevsky. She likes to play chess against herself (to a skeptical reporter who asked how it could be done, she replied: "Maybe I'm a schizophrenic"). At six she gave recitals of her own compositions (The Goldfish, The Jolly Pig). At ten she had finished grammar school (her I.Q.: 185); at eleven she had written 100 piano compositions. Most of her friends, she says, are grownups. Her Negro novelist father, George Schuyler (Black-No-More, Slaves Today) and her white Texas-born mother used...

Author: /time Magazine | Title: Music: Original Girl | 3/25/1946 | See Source »

...Princess with the Golden Hair is a quiet but ambitious attempt to anatomize, through the narrator's contrasted affairs with two women, the U.S. middle class and the U.S. proletariat. The bourgeois wife, Imogen, is a convincing redigestion, in contemporary terms, of the kind of paralytic romanticism which Flaubert raged at (and suffered from). The proletarian taxi-dancer, Anna, is more vivid and engaging, and the glimpses into her world-a world of incidents like the Polish boarder's "doing his business and wrapping it up in paper" for Anna to pick up-are the most detached that...

Author: /time Magazine | Title: Books: Evil in Our Time | 3/25/1946 | See Source »

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