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Word: flashings (lookup in dictionary) (lookup stats)
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There's a niche for Beck. You file him under "flash." Flash (as a musical term) was created for him. The two have riaen and faded together. Hendrix was never flash because he had a certain lyrical as well as musical genius. His genius aside. Clapton was too humble to be flash. Alice Cooper and Ian Anderson? Theatrics. David Bowie and Rod Stewart? Rock star trips. Steve Marriott? Punk arrogance, and Peter Townshend, for all his onstage pyrotechnics, has been sneaky serious ever since perfect placement of that primal teenage stutter on "My Generation...

Author: By Frederick Boyd, | Title: Fudge Meets Flash | 11/2/1972 | See Source »

First time I ever saw the word flash in a musical context was on the back of Beck's first solo album. Truth. Flash has little to do with taste or technique or attack or anything like that. It's the hazy ability to appear with the musically unexpected. It's also a lot to do with ego, which Beck has, in abundance. He once shut down the whole band, onstage, so he could play "Foggy Mountain Breakdown," solo. That's flash...

Author: By Frederick Boyd, | Title: Fudge Meets Flash | 11/2/1972 | See Source »

...time, Pahopin had hopes that Marion Young, a housewife with an English accent, would become the Parker Towers version of Rona Barrett -and he initially introduced her as such. But Marion would have none of it. Instead, she specializes in engagement announcements, weddings and traveling tenants. A recent flash: "Welcome home, Flora Mae Birge, from your Caribbean cruise. Too bad you couldn't take along your poodle to enjoy it with you." Marion explains that her husband objected to the Rona Barrett billing. Besides, she says, "I really didn't want to gossip and spread grief...

Author: /time Magazine | Title: Modern Living: Neighborhood TV | 10/30/1972 | See Source »

...This is the story of a city, a portrait of Rome," Fellini's voice instructs as the credits flash by, "a mixture of strange, contradictory images." If only it were. There are two sequences that are virtuoso feats even by Fellini's elaborate standards: a weird, bloody and cacophonous entrance into a rainy nighttime Rome along a crowded highway, and a boisterous, affectionate re-creation of a night in a music hall during World War II, the audience far more vigorous and creative than the amateur talent passing in review. Fellini is at his best here, which makes...

Author: /time Magazine | Title: Cinema: Fellini Primer | 10/23/1972 | See Source »

...Lampoon announced the parody's release at a Monday press conference amid popping flash bulbs and television coverage...

Author: By Steven Luxenberg, | Title: The 'Poon and 20th Century Fox the Public | 10/21/1972 | See Source »

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