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...first shocked reactions of Congressmen and Senators indicated that the pressure would be considerable and perhaps irresistible. Republicans were among Nixon's severest critics. Senator Mark Hatfield observed that a move to impeach could come "like a flash flood sweeping down over the pasture land." Senator Robert Packwood argued that there was "no justification" for Nixon's action. "The office of the President does not carry with it a license to destroy justice in America. His deeds are dishonorable." Predicted Freshman Congressman William H. Hudnut of Indiana: "If Nixon gives the impression he is above...

Author: /time Magazine | Title: THE PRESIDENCY: Richard Nixon Stumbles to the Brink | 10/29/1973 | See Source »

...greets you almost as soon as you arrive in Syria's capital. At perhaps 25,000 ft. over this city of mosques and markets, an Israeli jet, easily visible to the eye, explodes in a tiny flash and a puff of whitish smoke. Seconds later, a dull thump is heard as it crashes to the ground. The fighter plane was the victim of a "Soviet SAM," as Damascenes call their wonder weapon. The successes of the Soviet missiles are a major reason why the almost 900,000 citizens of Damascus seem relatively relaxed and unworried, even though...

Author: /time Magazine | Title: EYEWITNESSES: Reports from The Meaningless War | 10/29/1973 | See Source »

...persistent Michael Winner, who spins out at least a couple of features a year, most recently a vehicle for Burt Lancaster (Scorpio) as well as another one for Bronson (The Mechanic). Here Winner attempts to counterbalance Branson's concrete immobility by immersing him in a plot full of flash and frenzy. It is a mostly futile effort. The script, about a rogue cop, is patterned closely enough on Dirty Harry to be called Grubby Lou. There is a series of slaughters, apparently having to do with mob warfare, that keeps Lou (Bronson) shuttling between New York and Los Angeles...

Author: /time Magazine | Title: Cinema: Quick Cuts | 10/8/1973 | See Source »

...ever to win the Pulitzer Prize), he offered a repetitive, four-character charade running through all the ages and spiritual stages of modern man. Few are charming, none are fruitful, all are lonely and stiff with daily dread. And at each turning, each character is unable to feel the flash of faith, or even the modest touch of terrestrial love...

Author: /time Magazine | Title: Books: Auden: The Sage of Anxiety | 10/8/1973 | See Source »

Wicker handles the technical problems of flash-backs to carry the narrative but his characters are always two-dimensional, cardboard stereotypes: A newspaper man, a senator, his beautiful wife, a political boss who wears green glasses, a collection of local southern politicians...

Author: By Dwight Cramer, | Title: Eaten Up | 10/4/1973 | See Source »

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