Word: first-person
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...initially heavy-perhaps too heavy-emphasis on politics has expanded into a broader and more palatable mix. Recent Op-Ed pages have included such bemusingly bizarre articles as an ecological dialogue (in free verse) between Technologist R. Buckminster Fuller and Senator Edmund Muskie and a tense, dramatized first-person account by a white churchman of a late-night subway ride through Harlem...
Died. Manfred B. Lee, 66, co-creator of Ellery Queen, the genius of deductive detection; of a heart attack; in Roxbury, Conn. In collaboration with his cousin Frederic Dannay, Lee wrote seven books of short stories and 35 novels about Queen, the solemn first-person protagonist. The pseudonym was eventually carried over to a monthly detective-story magazine, a long-lived radio program and a television series. All told, including short-story anthologies, Ellery Queen enjoyed book sales of 125 million. Keeping their writing methods a Queenlike mystery, Lee and Dannay developed such rapport that they were able to confound...
...time of brutal purges and bitter battles within the Kremlin hierarchy that led to Nikita Khrushchev's startling "destalinization" speech at the 20th Party Congress in 1956. This week the former Soviet Premier, who emerged from those years as the Kremlin's new boss, provides the only first-person account of those fateful struggles ever recorded. His reminiscences, excerpted from the forthcoming book, Khrushchev Remembers, are appearing in LIFE and 19 publications abroad...
...nation has ever suffered more appalling losses than Russia did in World War II, when 22 million of its citizens died. Determined to keep the searing memory of that struggle alive, the Soviet hierarchy has seen to it that an endless stream of histories and first-person accounts keeps flowing from state publishing houses. But as former Premier Nikita Khrushchev makes clear in the second installment of his reminiscences in LIFE this week, some of the most fascinating material about the Soviet conduct of the war has been scrubbed out of official chronicles...
...more than a curiosity, however, Ma Nuit Chez Maud achieves its power through an aesthetic structure vastly more engaging than mere portraiture. Its first-person narrative frame forces you to share the experience of Jean-Louis (Jean-Louis Trintignant) through his visual point of view (also brief interior monologues), subtly builds up a tension between your sensibility and your experience of his, and finally forces a dialectical confrontation in sequence after sequence with the ultimately desirable Maud (Francoise Fabian), where his choices directly thwart your inclinations to act through him. Rohmer uses this audience identification with the human reality...