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...unabridged title to Fiona Apple's new album--the follow-up to her concisely titled debut Tidal--actually runs 90 words long. A more appropriate name might have been "How About 'Dem Apples!" The angst-ridden star apparently thinks she made a criminal first impression, and spends most of When the Pawn... emphasizing the sincere emotions that hide behind her previous dreamy, doctored image. The result is less shock and more maturity...

Author: By Christopher R. Blazejewski, | Title: Album Review: When the Pawn... by Fiona Apple | 12/3/1999 | See Source »

...approach her with curiosity. Apple draws heavily on old-school R&B and the instrumental support, led by Jon Brion, effectively complements her wandering voice. Her piano work is uncomplicated and elegant, allowing you to focus on her intimate vocals. "I Know," the album's concluding track, proves that Fiona Apple was correct about one statement on Tidal: you don't have to sleep to dream...

Author: By Christopher R. Blazejewski, | Title: Album Review: When the Pawn... by Fiona Apple | 12/3/1999 | See Source »

Like shards from a shattered mirror, Fiona Apple's new album, When the Pawn Hits... (Clean Slate/Epic), glitters with reflective surfaces and sharp edges. The singer-songwriter's debut album, Tidal (1996), was a work of ingenue ingenuity, delicately designed, bright with innocence, laden with the prospect of future accomplishment. This follow-up CD is a promise kept: the 22-year-old's new compositions, angry but articulate, veering between gentle balladry and art-pop, don't need the crutch of precociousness to establish their worth. These are songs that stand on their...

Author: /time Magazine | Title: Music: Facing a Broken Mirror | 11/8/1999 | See Source »

...release same-sounding music in hopes of discovering the next big hit. This "rock star" approach is deeply at odds with a more vital function of rock music, that of political, social and cultural protest. As Liebert observes, it's a shame that Germans have dropped Schubert to adopt Fiona Apple. However, the true shame is that Germans (and Americans, too) listen to the inane drivel pushed on MTV and Top 40 stations instead of listening to music which would express their frustrations or increase their sensitivity to beauty or pain. Rock music is as adept at this function...

Author: NO WRITER ATTRIBUTED | Title: Letters | 11/5/1999 | See Source »

...teenagers who are infected. My family's hosts were mature adults, the owner of the store in Fischen was an elderly Christian soldier who did not seem prone in the least to indulgence in nonstop masturbatorial fantasies. For whatever reason, though, Germans seem to have left Franz Schubert for Fiona Apple, and it's a shame...

Author: By Hugh P. Liebert, | Title: The American Invasion | 10/26/1999 | See Source »

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