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Word: film (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...spot" that burns a hole in the rocket's metal casing before all its fuel is consumed, causing a disastrous blowout. To eliminate such a mishap, each booster is taken to a fenced-off area blazoned with signs warning against radiation. There it is wrapped in X-ray film, and a speck of fiercely radioactive cobalt 60 is thrust into its cavity. When the films are developed, they show up any air bubbles...

Author: /time Magazine | Title: Science: Home of Minuteman | 1/25/1960 | See Source »

Andre Villard's camera direction is uniformly acceptable and occasionally outstanding, as is the sound-track that Brahms unwittingly supplied. And, to make up for the puerility of the love scene, there are several short scenes of rare film sophistication. A tense evening meal combines brilliant writing, direction, and camera work to acid, ironic effect. However, from bedtime on, the movie bogs down...

Author: By M. Armstrong, | Title: The Lovers | 1/21/1960 | See Source »

...John Gunther's High Road (ABC, 8-8:30 p.m.). The author of Inside Russia Today turns his TV eye to Siberia, shows on film the operation of the trans-Siberian railway, the diamond mines at Yakutia, the emerging wealth and power of the region east of the Urals...

Author: /time Magazine | Title: Time Listings: CINEMA | 1/18/1960 | See Source »

Kuosowa's camera is alert in picking up touches of humor which he finds in the villagers' expressive faces and in the posturing of the novice Samurai Kychukuibo, a frog-like fellow prone to temper fits and muscular ostentation. Certain exquisite shots give this modern film the formal organization of Japan's ancient art; without smothering the immediate drama, Kuosawa lets village tradition and the natural processes of harvest time, love, and old age give a sense of timelessness. The dignity and discipline of the samurai stand in eloquent contrast to the grotesque and the demonical animality of the bandits...

Author: NO WRITER ATTRIBUTED | Title: The Magnificent Seven | 1/18/1960 | See Source »

Perhaps unfortunately, this film insists upon delivering a message, and this message must depend upon its self-evidence rather than its novelty for impart: that was is Hell we have been told before. The triumph of order, however, becomes more than a mere literary idea as the pictures of village life show it gradually taking on the clarity and internal discipline of the samurai's own lives. The final irony is that the warriors have taught peace too well. The surviving samurai are now not only no longer needed, but alien in the peaceful world of their own creation. --ALICE...

Author: NO WRITER ATTRIBUTED | Title: The Magnificent Seven | 1/18/1960 | See Source »

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