Word: field
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...those who pass by the end of the building. This is particularly emphasized by the recent experience of a passing student, who just escaped being struck with a falling hammer. It is very disgraceful that when there is such a constant stream of travel from the gymnasium to Jarvis field, more care should not be taken for the safety and convenience of such persons who are at present beset by dangers above and below. We sincerely trust that the authorities will at least keep the pathway clear of obstacles and then we may possibly get used in course of time...
...good run by Lamar from a pass by Moffat, a run by Baker, and a fine catch by Belknap, but it was in vain ; the Wesleyan halfbacks had it all their own way. They invariably had time to run and then kick, which carried the ball further up the field than it had been before. Our rushers seemed unable to tackle them...
...brought it near the line. Moffat tried for goal again, without success. Soon after the ball was well stopped by Belknap, secured by Princeton, and in an instant Moffat had kicked another goal. The kick-off was stopped by our rushers. Belknap seized the ball and rushed down the field. When tackled, after a good run, he passed the ball to Bird, who got a little further and then was downed very near Wesleyan's lines. The ball was then thrown to Moffat, who made a pretty run and secured a touchdown. From this the ball was punted...
...strain every nerve to beat Yale, for such a victory would be a great triumph, not only for the class but also for the college. But Yale will not be beaten by a fair eleven ; it will take the best that the class of '87 can put in the field. The stories which have been emanating from Yale, according to the good old custom, since the beginning of the season about the weakness of their freshman eleven, can not be trusted at all, and their recent victories show the unreliability of all such tales. We would again repeat then that...
...Boston. Max Heicrich, the soloist, sang with rare taste, especially in the Mozart Aria, where the roughness of the orchestra was a serious obstacle to a fine rendering of the cadences. His voice is pleasing and remarkably even, without any great power. The Dvorak Symphony offers a large field for criticism. Still we do not see the obscurity so much complained of, the themes are distinct and well developed and at times intertwine to great advantage in the modern fashion invented by Wagner. Gounod's Entr'acte (La Colombe) is remarkably expressive of the subject with its sweetness and freedom...