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While the corks popped and the paper airplanes flew, Arthur Fiedler conducted the orchestra in the annual Harvard concert. The alumni shed their coats in deference to the 90-degree heat, but Fielder kept his on despite cries of "Take it off" emanating from the rear tables...

Author: NO WRITER ATTRIBUTED | Title: 1936 Celebrates At Boston Pops | 6/14/1961 | See Source »

Critical response to The Section Man has been extraordinary, based partly upon Queensly's delicate handling of a controversial subject matter and partly upon his choice of locale. Leslie Fiedler has said, "...the confrontation of Cambridge's Fall into Death and Spring into Love leaves us its startling residue of thunderous denial, the amalgam of Huck and his raft separated by Thomas Moore's "Lolly Rookh" from the black pristine love found in the shoals of the frozen Charles!" Diana Trilling writes, "...disconcerted by the misconception of the tragic hero (ine?) and...foundering in the slough of my husband...

Author: By Allan Katz, | Title: The Section Man | 2/17/1961 | See Source »

...come to reflect increasingly the problems and pressures of Western man. If he is still (or more than ever) the Outsider, he knows that he has been cast in a role that symbolically identifies him with a world of Ishmaels. . . . In the Age of Anxiety, as Leslie Fiedler has reminded us, the Jew as symbol in literature has moved from the periphery to the center--but by remaining, as ever, on the periphery of the active social and moral world...

Author: By Allan Katz, | Title: Villains, Saints and Comedians: Jewish Types in English Fiction | 2/10/1961 | See Source »

...Arthur Fiedler, conductor, Boston Pops Orchestra D.F.A...

Author: /time Magazine | Title: Education: Kudos, Jun. 13, 1960 | 6/13/1960 | See Source »

...decline of the sentimental love nov el is a sizable calamity in Fiedler's eyes. In Continental terms, the aristocratic Lovelace's siege of Clarissa's stoutly preserved virginity was a class struggle of courtly manners v. the rising middle class. Transferred to the democratic U.S., it became a puritan's version of the war between the sexes. Woman stood for Virtue, Man for Vice. Having struck down the paternal authority of prince and prelate, the immigrant-rebel found that the voice of conscience, convention and society sounded strangely feminine. The divine right of kings...

Author: /time Magazine | Title: Books: The Annotated Fig Leaf | 4/18/1960 | See Source »

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