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Word: fictional (lookup in dictionary) (lookup stats)
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...inspired by Proust’s episode of the madeleine—in fact, André Aciman’s entire second novel reads like an exercise in bringing a feverish Proustian narrative to twenty-first century Manhattan. This novel, which blurs the boundaries between supermarket romance and literary fiction, mainly relies on Aciman’s ease at spinning together long, hypnotic sentences to fuel the heavily psychological and minimally plot-driven narrative. However, the same characteristics that give Aciman his writerly credentials—his finely tuned cultural references and the delicate register of his artistic understanding?...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Aciman Falters in 'Nights' | 2/17/2010 | See Source »

...nose. The beam focused on the missile and - like a kid torturing an ant with a magnifying glass - incinerated it. It fit the criterion enunciated in 2008 by Boeing's laser chief Mike Rinn: "There's nothing like flaming wreckage" to prove such lasers are not science fiction. (See the obstacles in the way of the Strategic Defense Initiative...

Author: /time Magazine | Title: Star Wars Boosters Fired Up by Laser Show | 2/16/2010 | See Source »

...characters, fiction and nonfiction, care passionately about deep questions. I think the dichotomy between thinking and the passions is a false one. The idea that often comes across in novels of these dry, sterile thinkers who need some little woman to come and teach them about feelings and all that—that’s bullshit. It’s just not true. Thinking is a passion itself...

Author: By Kathryn C. Reed, CRIMSON STAFF WRITER | Title: 15 Questions With Rebecca N. Goldstein | 2/11/2010 | See Source »

...have written two works of nonfiction, seven of fiction, and a number of short stories. What do you believe is the main purpose of your writing and what do you hope readers take away from...

Author: By Kathryn C. Reed, CRIMSON STAFF WRITER | Title: 15 Questions With Rebecca N. Goldstein | 2/11/2010 | See Source »

...wanted to bring them together. I couldn’t do it philosophically because the way I had been trained philosophically just wouldn’t allow it; I couldn’t make it precise enough. I love the fact that literature is not precise, that fiction is not precise. It can do justice to the messiness, the confusion, the conflicts, the ambiguity—I love that about...

Author: By Kathryn C. Reed, CRIMSON STAFF WRITER | Title: 15 Questions With Rebecca N. Goldstein | 2/11/2010 | See Source »

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