Word: fi
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Tomorrow Right Now is a strange collage of spoken word, lo-fi electronic beats and startling dissonances, refusing to be mainstream in any sense. At once the most impressive and the most alienating feature of the album is Beans’ lyrics, which are undeniably virtuosic but delivered in stuttering, robot-like fashion. They’re highly poetic—Beans has actually been published as a poet—but the lyrics sound too conscious of their own literacy, which robs the music of much of its emotional impact. He often sounds like he’s rushing...
CATCH ME IF YOU CAN. Steven Spielberg takes a breather from sci-fi/adventure romps and historical morality plays to dust off his moribund ‘lost boy’ conceit, reigniting it to power this breezy, rambling 1960s-set caper. Leonardo DiCaprio spends the movie perpetrating a richly entertaining string of identity cons and check fraud that Spielberg tempers with rather obvious meditations on the state of the nuclear family. Amidst the mischief and philosophizing, Tom Hanks, as the dry, wry FBI man tailing DiCaprio, ends up stealing the movie by internalizing his ‘decent everyman?...
APPLES IN STEREO. A night of indie-pop with the favorite lo-fi trio. Opening bands are Oranger and Dragstrip Courage. Sunday, Feb. 9 at 8 p.m. Tickets $10. The Middle East, 472-480 Massachusetts Ave., (617) 864-EAST...
CATCH ME IF YOU CAN. Steven Spielberg takes a breather from sci-fi/adventure romps and historical morality plays to dust off his moribund ‘lost boy’ conceit, reigniting it to power this breezy, rambling 1960s-set caper. Leonardo DiCaprio spends the movie perpetrating a richly entertaining string of identity cons and check fraud that Spielberg tempers with rather obvious meditations on the state of the nuclear family. Amidst the mischief and philosophizing, Tom Hanks, as the dry, wry FBI man tailing DiCaprio, ends up stealing the movie by internalizing his ‘decent everyman?...
...comicbook narrative. The adaptation of other media has become a lost genre in graphic literature. From the 1940s to the early 60s Gilberton Publications' "Classics Illustrated," featured "Stories by the World's Greatest Authors," as the tagline said. Since then, except for the mostly execrable "franchising" of sci-fi movies and TV series, comicbooks have done little exploring in the adaptation of other media. Of late it has been one publisher, the New York-based NBM (Nantier, Beall and Minoustchine) that has consistently published very fine, full color, hardcover literary adaptations by top comix artists. In the past few months...