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Some of the early Quakers went barefoot, some in sackcloth, some even naked. In moments of great fervor they exhibited violent physical reactions, and it was their contention that those who did not know "quaking and trembling" had not found the "Christ within." To this is ascribed the name "Quakers," given them in derision in the first years of the movement...

Author: /time Magazine | Title: Religion: Quaker Revival | 12/10/1928 | See Source »

...antitheses, a delight in epigrams which borders on the abnormal, and when conscious of himself and of his flawless oratorical manner he is at his worst. It is only when, forgetting the polished phrases and impressive periods which he has designed, he suddenly loses himself in the deep fervor of his belief, in the white heat of his emotion, that his eloquence rises to really lofty heights...

Author: /time Magazine | Title: Religion: Pathological Addiction | 12/3/1928 | See Source »

Vaguely he began an extemporaneous address, urging the people to be calm and ignore firebrands who wanted to proclaim a Soviet State. Gradually the magnetic fervor of the crowd fired Socialist Scheidemann. Suddenly he found himself shouting: "Long live the German Republic...

Author: /time Magazine | Title: Foreign News: Accidentally a Republic | 11/19/1928 | See Source »

...violin species, has dragged him up out of the orchestral cellar and has revealed him to us as a creature who does not merely gambol with grotesque ponderosity, or grumble in discontented servitude, or speak oracular solemnities, but who can sing with pride and independence and lyric fervor, with something of the cello's poignantly vibrant utterance in its upper register, yet with a fullness of body, a dark and beautiful austerity, and an amplitude of sombre richness that no cello is able to attain...

Author: /time Magazine | Title: In Unison | 11/5/1928 | See Source »

...development of music in the U. S., no name will figure more prominently than that of Walter Damrosch. Today's sophisticates will differ perhaps. They will remember the Strauss of Mengelberg, the Debussy of Koussevitsky, the Bach of Stokowski, the Wagner of Toscanini; and in the fervor of appreciation of individual performances they will have forgotten the millions whose musical sense has been awakened by Damrosch. They will have forgotten that it was Damrosch who first introduced to the U. S. such composers as Tchaikovsky, Stravinsky, Rimsky-Korsakov; such artists as Kreisler, Lilli Lehmann, Paderewski; that Damrosch, first...

Author: /time Magazine | Title: Music: Radio Instruction | 10/29/1928 | See Source »

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