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...entrepreneurial brains are provided by BJ. Farber, a fictional composite of those remarkable immigrants who parlayed dry-goods stores, nickelodeons and theater chains into movie fiefs. They are here too: Goldwyn, Mayer, Zukor, et al. Farber is a lovable old shark. The book's unlovable shark is Hareem Adani, a New York-based conglomerate chief out to add Farber Films to his corporate shell collection...

Author: /time Magazine | Title: Books: Roll 'Em | 12/31/1979 | See Source »

...contains all the ruthlessness, greed, ill temper and bad manners heretofore ascribed to some Jewish studio heads. The unfortunate result is to create two stereotypes where one is more than enough. The characterization nevertheless has its uses. Adani sends a class operator to California to make a deal with Farber. He bears the elegant name of Guy Barrere and a resume that includes the Columbia University School of Journalism and Rolling Stone...

Author: /time Magazine | Title: Books: Roll 'Em | 12/31/1979 | See Source »

...Farber is more convincing, even when he sits Barrere down (after dinner with Fred Astaire, the Jimmy Stewarts, Claudette Colbert, the Gregory Pecks and the Henry Fondas) and tells him his life story. It is an epic feature that includes three wives, mistresses, ups, downs and flashbacks from movie history. Farber is present at the Creation. After his theater chain folds he becomes production assistant to Mack Sennett at D.W. Griffith's Biograph studios in New York. Sennett and Mabel Normand carry on their Keystone Kops love affair; Harold Lloyd simulates climbing the side of a building...

Author: /time Magazine | Title: Books: Roll 'Em | 12/31/1979 | See Source »

Hameed ud-Din, former professor of Indo-Muslim culture, died of cancer Thursday at the Sydney Farber Cancer Center in Boston. He was 64 years...

Author: NO WRITER ATTRIBUTED | Title: Near East Scholar Hameed un-Din Dies of Cancer | 10/22/1979 | See Source »

...horrors and suspense films, but they are less distinctive for being frightening or suspenseful than for being tough, violent and fanatical. Most of the films are cheaply made and American--throwaway B-pictures produced from a collaboration of unruly talent. Nearly all of them fit into what critic Manny Farber has called "the termite range" of art, art which is characterized by stubborn, quirky, all but brainless energy...

Author: By --larry Shapiro, | Title: Raw Knuckles on Film | 8/3/1979 | See Source »

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