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...19th century, the modern world was taking shape, in some respects the shape that photography gave it. The new art form fostered the trend by which the antique notion of fame was supplanted by the more salable idea of celebrity. And in the great age of imperial expansion, the camera was just the tool to bring home views of the exotic places that had been gathered in by the Western powers...

Author: /time Magazine | Title: Photography: Drawn by Nature's Pencil | 2/27/1989 | See Source »

...brand of rice. It's been a long time since the raw, driving soul music of James Brown sounded dangerous to mainstream white America. The rhythm-and-blues man, who says he is 55, belonged to a presidential task force and is in the Rock and Roll Hall of Fame. He has won two Grammy Awards and has had an audience with the Pope. When the phone rings in his office in Augusta, Ga., a receptionist crisply answers, "Godfather of Soul." But the boss can't come to the phone right now. James Brown, the self- styled Hardest-Working...

Author: /time Magazine | Title: Soul Brother No. 155413 | 2/20/1989 | See Source »

Much of the work, in fact, now seems an appendage to Warhol's most authoritative creation: his fame -- the meticulous construction of a persona vivid in its coy blandness, pervasive and teasing in its appeal to the media, and deathlessly inorganic. Warhol looked like the last dandy, right from the start of his public career. As the late critic Harold Rosenberg put it, he was "the figure of the artist as nobody, though a nobody with a resounding signature." This subverted the romantic stereotype of the artist -- hot, involved, grappling with fate and transcendence -- that American popular culture, and hence...

Author: /time Magazine | Title: Art: The Best And Worst Of Warhol | 2/13/1989 | See Source »

Instead, in Warhol one had the detached art-supplier with mass-cultural fixations on things everyone knew: canned soup, Liz, dollar bills, death. Fame was the real qualifier. One doubts, somehow, that Warhol plowed through Faust before cranking out his flashy and unfelt variations on Tischbein's portrait of Goethe. No ideological motives lurk behind the benign collective visage of his innumerable Mao Zedongs; but a billion Chinese could no more be wrong about such a celebrity than 200 million Americans could be about Jackie or Marilyn...

Author: /time Magazine | Title: Art: The Best And Worst Of Warhol | 2/13/1989 | See Source »

...years after his death, a Manhattan show traces the Pop artist's powerful vision of, and later surrender to, mass imagery. Ultimately, his most authentic creation may have been his own fame...

Author: /time Magazine | Title: Time Magazine Contents Page Vol. 133 No. 7 FEBRUARY 13, 1989 | 2/13/1989 | See Source »

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