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Despite Klein's fame, virtually the only place to read about him has been in fawning profiles commissioned by the glossy magazines that depend on him for ads. As a rich, handsome man he is a big target, though, and the arrival of a tell-all expose like Obsession: The Lives and Times of Calvin Klein, by Steven Gaines and Sharon Churcher (Birch Lane Press; $22.50), was almost inevitable. The authors do not fawn -- they revel in describing the people Klein copied, the deals he made, the collaborators he turned against. Above all, they dwell on his heavy drug...

Author: /time Magazine | Title: DESIGN: A Tell-All About Calvin | 4/25/1994 | See Source »

Along with his two teammates' he'll have his plaque in Springfield. Five years after his retirement, he'll be inducted into the Hall of Fame...

Author: By Johnny C. Ausiello, | Title: Farewell To the Chief | 4/22/1994 | See Source »

During his self-described "15 minutes of fame," Hyland remembers drafting rules for the occupation, organizing the protesters' demands and developing plans for food and sanitation...

Author: By Steven A. Engel, | Title: His First Taste of Activism | 4/22/1994 | See Source »

...Walter M. Cabot '55. And it's why many of Cabot's top henchmen, including Scott M. Sperling and Michael Eisenson--the managers of HMC's high-risk, high-gain private placement portfolio--continue to work at HMC, earning stratospheric salaries, despite their lackluster performance. Sperling and Eisenson achieved fame several years ago for becoming the first HMC officials to top the $1 million compensation barrier, just two years before the University marked down the value of their portfolio by about $200 million, roughly 20 percent. Indeed, there's reason to believe the portfolio's value was inflated...

Author: NO WRITER ATTRIBUTED | Title: Never a Better Time To Re-evaluate HMC | 4/19/1994 | See Source »

...this is a parodic setup for Mom's delirious trial and exploitation. It's a tatty freak show, and Waters loves it. "I'm a participant in everything I criticize," he insists. "My movies aren't about violence but about how America is so confused about fame." The confusion and fascination, he suggests, come from a public exhausted by their own mundane problems and eager to find release in someone else's. "Here's the reason people can laugh about it," he says. "I've had a long day, you've had a long day, other people have been fired...

Author: /time Magazine | Title: CINEMA: Sultan of Shock | 4/18/1994 | See Source »

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