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Occasional scenes did penetrate the torpor induced by the first half-hour, surely one of the dullest film segments produced by Hollywood in a long while. But for the most part PT 109 was horrendous, devoted primarily to showing off Cliff Robertson's repertoire of facial expressions, all of which seemed to be subtle variations of a smirkish half-smile...

Author: By Steven V. Roberts, | Title: Robertson Is Thud In 'PT 109' | 8/16/1963 | See Source »

...Cooper, executive secretary of the U.S. Surfing Association. "Half of them give it up in a year or two, but then there are more-and the real danger of surfing is in numbers. One surfer gets knocked off his board, gets hit by another. Most of the injuries are facial and head bruises-and a lot of teeth are lost...

Author: /time Magazine | Title: Recreation: Surfs Up! | 8/9/1963 | See Source »

...pace was fast and contrasts in facial reactions were so skillfully done that much of what seemed to be dry material in the written script became laugh-provoking wit on stage...

Author: By Stephanie Brill, | Title: GBS' 'Village Wooing' Well Done | 7/23/1963 | See Source »

...full vocal range, and the lovely lilt of her voice as she ended her statements with "mightn't I?" or "wouldn't it?" helped her to bring the character to life with remarkable naturalness. The sparkle of her eyes as she spoke and the adroitness with which she changed facial expressions and movements created humor in the domineering character of Miss Z. Subsequently, it became perfectly understandable to the audience that the persistent shop girl would not only improve the writers manners and make him a satisfied shop keeper, but get him to fall in love with...

Author: By Stephanie Brill, | Title: GBS' 'Village Wooing' Well Done | 7/23/1963 | See Source »

...melodrama. It even dares to intersperse this subject with frequent snatches of ironic comedy--a gentleman, for instance, running through the streets in pajamas crying, "Rejoice, solders! We lost the War!" A cast left anonymous in tribute to the real Naples performs superbly, especially, in its use of animated facial gesture. One man being led away for the work crews wrinkles his features into a soulful stare that would have made Chaplin envious. Photography and timing art both managed with artistic sensitiveness...

Author: By Eugene E. Leach, | Title: Four Days at Naples | 5/21/1963 | See Source »

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