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...strong in their final despair and they occasionally exploited the rich humor of the text. The finest comic moments, however belonged to Michael Solomon, who as the judge of supernatural events is almost worth the price of the ticket. His timing is keen, his voice wonderfully flexible, and his facial expressions consistently alive and amusing. John Weiner has a brief but superbly played part...

Author: By Joseph M. Russen, | Title: Ondine | 12/6/1963 | See Source »

Maria Schell, by herself, is enough to carry the film. As the demure Jeanne, her wedding night smile fades artfully into the wistful gaze of the betrayed wife. The male lead is not as successful. Christian Marquand has all the rugged facial angles that a hunter and sure-fire seducer ought to have. Only once, however, when Julien grins at the thought the angles. Long before the end of the picture, his fierce teeth-clenching turns into tame stolidness and a suspicion of lockjaw...

Author: By Eugene E. Leach, | Title: End of Desire | 11/21/1963 | See Source »

...could be as rough on lawyers as on defendants, often barked his caustic impatience when counsel seemed to him to be sluggish or ill-prepared. "His facial expressions and gestures," said one critic, "his intonations, his pauses at the proper moment, all clearly indicate his belief or disbelief in a witness' testimony." He got into rows with his colleagues too, once said in open court that he hoped another judge would "keep his filthy mouth shut." The remark brought official rebuke for "using a courtroom as a forum for vilification of a fellow jurist...

Author: /time Magazine | Title: Judges: Jurist Before the Bar | 11/15/1963 | See Source »

...Trace the development of social legislation (power structure, Classical economic theory, facial portraiture, chordates) in any two (2) of the four (4) countries we have studied...

Author: NO WRITER ATTRIBUTED | Title: Our Exam | 11/8/1963 | See Source »

...thousand. Their romantic good looks and deft comic timing give the play a believable illogic in which farce becomes fairy tale. As one of the world's funnier women, Mildred Natwick can verbally give a line the same corkscrewy twist that Margaret Rutherford manages with massive facial quirks. Nowadays, when even the comic muse pulls a long face, a smiling, unalloyed joy awaits those who hotfoot it to Barefoot...

Author: /time Magazine | Title: Theater: Merry, Merry | 11/1/1963 | See Source »

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