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...Fighting Over Fabric and Fowl" may have earned the Currier House resident high marks from the department, but his unusual interest in poultry also earned him the name "Captain Chicken" from some of his friends. Nevertheless, Anderson was one of the first to do research on the dispute which, he says, "no one has any clue about." Despite the strange epithet he received from his friends. Anderson has turned his knowledge into a possible job: he is up for a job as confidential adviser to the Undersecretary of Agriculture for International Affairs...

Author: By Victoria G.T. Bassetti, | Title: Exploring Peru, Bluegrass and Vogue | 6/7/1984 | See Source »

...Turkey War, after dragging on for five years, was finally concluded. "Fighting Over Fabric and Fowl" Michael T. Anderson, Government...

Author: By Victoria G.T. Bassetti, | Title: Exploring Peru, Bluegrass and Vogue | 6/7/1984 | See Source »

...City Hall in 1969, recalled in a recent interview that as late as the '60s Blacks were able to walk through predominantly Irish Catholic South Boston unharassed. "Blacks used to regularly fish of Kelly's landing in South Boston as late as 1968," White says. "What tore the fabric apart was busing, the force and the harshness of its implementation...

Author: By Michael W. Hirschorn, | Title: Racism and Boston | 5/16/1984 | See Source »

...museum exhibition, so the spotlights are on individual achievements: the sensuousness of Milles' bronze model for Europa and the Bull (depicting Europa as a perplexed Lolita, although she is grown up in the full-scale sculpture); the bold, glazed vases of Maija Grotell; the assertive, colorful fabric designs of Strengell. Most prominent in the show is the best-known achievement of Cranbrook: the furniture and interior design by the Saarinens, the Eameses, Bertoia, Florence Schust Knoll and others. One exhibit replicates a typical mid-century office. Designed by Florence Knoll, it combines the work of Cranbrook creators into...

Author: /time Magazine | Title: Design: Our Bauhaus | 5/7/1984 | See Source »

...that is all one buyer could see in the wondrous fall of Miyake's fabric and the eye-dazzling depths of his layering, two things become apparent: she should not have been buying his clothes at all, and, surely, she will not be buying them well, simply because she does not understand them. But all designers are subject to such whims, and the public pays for them. Customers cannot shop in showrooms. They must rely on stores, whether run by conglomerates or a single entrepreneur, and on the taste of the buyers. No one doubts the profitability of such...

Author: /time Magazine | Title: Living: Fall Fashions: Buying the Line | 4/23/1984 | See Source »

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