Word: extention
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Dates: during 1970-1979
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...cheering and the singing of the Class Song no one surely can offer a reasonable objection. The scramble for the flowers is boyish nonsense, it may be said, and unworthy the dignity of Seniors. To a certain extent this charge is true: but it is so unbecoming to play the boy for a few moments before we separate to take our places in the world as men The costumes which this exercise compels us to don are often quaint, if not handsome, and at least offer some relief to the eye from the dress-suits worn the rest...
...theatre, with credits ranging from La Mama to Zabriskie Point. In La Turista, he has written a vehicle which succeeds on the level of farce, yet never seems at home on any other level. The play breaks cleanly at the acts, although each act mirrors the other to some extent in setting and characters. The first act can be taken as an entertainment, a humorous diversion of no great moment, but it seems to attempt something more. Shephard gives us two American tourists in a Mexican hotel, confronted with a strange Mexican shoeshine boy who invades their room, rips...
...between the jurisdiction of the Ad Board and that of the CRR. May said that in deciding where he should present his charges, he considers "whether the case is one that needs to be heard by a representative body, as the CRR is," adding, "My guess is that the extent of community interest in the case is an important factor." Making another distinction, May said, "The Ad Board deals with the truth of the facts, the CRR more with the quality of the action...
...What transpires in Harrisburg is to a very great extent inconsequential. Had Christ's prophetic role and salvation mission been dependent upon Pilate's decision, it is not too likely that Christ would have attained even the notoriety of Superstar. Perhaps what Daniel and Philip Berrigan have said to all is that the genuine role of the prophet lies in his assumption of a powerless position in the face of the world's total rejection...
...dogged) by the circumstance of being everyone's idea of the hipster from the Bronx-a mean blade, good with a saxophone or a motorcycle, the flamboyant, randy and infinitely dexterous picaro of Tenth Street. But by the end of the '60s, his virtues had to an extent rebounded on his reputation. His astounding skill as a traditional, realistic draftsman looked vaguely suspect to some critics. The ironical love with which he raided the beaux-arts tradition for such images as Napoleon, a reworking of David's 1812 portrait of the hero, struck them as literary...