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Word: expressiones (lookup in dictionary) (lookup stats)
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Paxton's reticence as a performer arises naturally from his movement style, perfectly scaled for this sort of space. The wise old man of dance criticism, Edwin Denby, once noted that some dance gesture relates to the entire stage area while other gesture relates to the dancer's own body...

Author: By Susan A. Manning, | Title: Knots and Bolts | 5/3/1977 | See Source »

"Noland," writes Curator Diane Waldman in her catalogue essay, "ranks with Delacroix and the impressionists among the great color painters of the modern era. Unquestionably heir to Matisse and Klee in the realm of color expression, he is to his generation what they were to their own." This litany might...

Author: /time Magazine | Title: Art: Pure, Uncluttered Hedonism | 5/2/1977 | See Source »

Finally, I'd raise a great many questions about a search committee that stalls, ices the puck and takes an indeterminate number of walks to the pitcher's mound before nominating a new athletic director. It seems to me that if you were in a crew race, they'd say...

Author: By Michael K. Savit, | Title: Why Not? | 4/26/1977 | See Source »

PROVIDENCE is an inordinately self-conscious film. It is as though Resnais himself, aware of his failings, were trying in advance to counter expected criticisms. "Some say that in my work style replaces feeling," he has one of his characters pronounce. "I say that style is feeling, and its most...

Author: By Julia M. Klein, | Title: Through a Glass, Bluely | 4/20/1977 | See Source »

Indefatigable Romantic. Terkel's prime failing is his unwillingness to contradict-or entertain a critical thought -about anyone who was nice enough to spend time with him. He listens rhapsodically as British Director Joan Littlewood says, "I'm sick to death of all these silly old political and...

Author: /time Magazine | Title: Books: Listening to the Voice of the Terkel | 4/18/1977 | See Source »

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