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Word: expressiones (lookup in dictionary) (lookup stats)
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Rudofsky has titled his show, and also his new Anchor Press/Doubleday book, Now I Lay Me Down to Eat, which turns out to be a reference to the Last Supper. Leonardo, it seems, had it wrong. Instead of a symmetrically arranged sitdown affair, the meal was a recumbent Passover Seder...

Author: /time Magazine | Title: Living: Leonardo Had It Wrong | 12/15/1980 | See Source »

BY MOST OBJECTIVE STANDARDS, the life of Alice James was singularly uneventful. The youngest child and the only girl in a family of gifted brothers, she never married, had no children, and produced no lasting body of work. Except for a brief period teaching a history correspondence course to under...

Author: By Sara L. Frankel, | Title: Bill and Hank's Sister | 12/15/1980 | See Source »

O'Neill also has the disconcerting habit of changing facial expression flamboyantly at every line he hears, particularly noticeable in O'Neill's many scenes with the exemplary Zabusky. The same heavyhandedness unhappily characterizes O'Neill's singing. His voice is rich and resonant but, like Sheldon's, somewhat stentorian...

Author: By Michael W. Miller, | Title: A G & S Surprise | 12/11/1980 | See Source »

In the show's most touching number, "Thank Heaven for You", Everett Gibson, a solid tenor whose voice fills the theater with a marvelous operatic resonance, and Cheryl Coston, a petite soprano with a versatility that can conquer both ballads and jazzy scat-singing, perform a coppella love song that...

Author: By David C. Edelman, | Title: Finishing With a Bang | 12/11/1980 | See Source »

In a recent article in Artforum magazine, critic Ronny H. Cohen describes a contemporary trend in art that is similarly aggressive, one that may have evolved from Dada by way of Pollock and the Abstract Expressionists of the 1950s. Cohen dubs the work of the artists "Energism" and states that...

Author: By Lois E. Nesbitt, | Title: Dadadadadadadadadadadadadada | 12/8/1980 | See Source »

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