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Atwood apologizes in the introduction that "I don't like writing the kinds of things that are brought together in this volume nearly as much as I like writing other kinds of things." She then goes on to describe approach-avoidance reactions and procrastination worthy of any reading-period squeeze...

Author: By Amy E. Schwartz, | Title: A Voice of One's Own | 4/25/1984 | See Source »

Defendants of the Pi Eta complain that such official actions are themselves immoral as they tresspass on the sacrosanct territory of free speech. Yet this logic confuses the principles involved. Few people deny the club the legal right to make whatever statements it wants. But the University and its members...

Author: NO WRITER ATTRIBUTED | Title: Don't Stop Now | 4/21/1984 | See Source »

LIKE TYMPANI, the character of Sax, played by Joel Press, searches for a musical answer to the music industry's dilemma The play wright clearly sides with the saxophone player, whose solution of jazz and creative improvisation is ignored by the movie producers as they stagnate in their own deathly...

Author: By Ted Osius, | Title: Where 'Angel' Fears To Tread | 4/18/1984 | See Source »

"Fever Swamp," with music by Peter Gordon and choreography by Bill T. Jones, followed "Isba" A short, intense work created for the male members of the Ailey Company. "Fever Swamp," celebrated their strength, robust ensemble work, technique and expression. Seemingly light-hearted, it mirrored Peter Gordon's sharp staccato "Intervallic...

Author: By Andreu Fastenberg, | Title: Sheer Energy | 4/17/1984 | See Source »

thought she saw her soul shining through the features of her face. She forgot the nose was merely the nozzle of a bone that took oxygen to the lungs, she saw it as the true expression of her nature.

Author: By John P. Oconnor, | Title: The Brilliant Irony of Levity | 4/13/1984 | See Source »

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