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...dominant theme of the material taken as a whole appeals to prurient interest; 2) the material is patently offensive because it affronts contemporary community standards; and 3) the material is "utterly" without redeeming social value. To what extent do worthy parts redeem the whole? In Curious the explicit sexual adventures of the films heroine, Lena, are only part of her activities; much of the movie is devoted to her episodic exploration of violence, indifference and social inequality in her society...

Author: /time Magazine | Title: The Law: New Rules for Obscenity? | 5/11/1970 | See Source »

...Academy of Fine Arts. There his gift in graphics was quickly recognized, and he was invited to stay on and teach. In 1960, he became something of a cause célèbre when Hamburg police found his "qui s'explique" lithographs of lovemaking couples too explicit and closed the show. Undaunted, Wunderlich set off for Paris to work with the master lithographer Jacques Desjobert...

Author: /time Magazine | Title: Art: Beauty in the Bizarre | 4/27/1970 | See Source »

...prices to go up an average $100 per car, Lyndon Johnson's CEA invited General Motors Chairman James Roche to Washington for a private session. G.M. and CEA technicians exchanged figures on how much higher production costs would force G.M. to raise prices on its 1969 models. No explicit promises or threats were made, but G.M. wound up raising prices only an average...

Author: /time Magazine | Title: The Economy: Rising Clamor for the Jawbone | 4/13/1970 | See Source »

...attitude is the same as it was about parietals," said one Ad Board member who wants to formulate a more explicit policy on drugs. "We don't seek out offenders, but if a case falls into our laps, we deal with it. The difference is that there was never any danger that police would come on campus to enforce parietals...

Author: By Peter D. Kramer, | Title: Bust Rumor Brings Up Harvard Drug Policy | 4/11/1970 | See Source »

Outside of their art, these men are often as passionately involved with the black predicament as any of their more graphically explicit colleagues. Chicago's Richard Hunt, 34, makes welded sculptures out of old automobile parts, and has had no complaint of studied neglect-he has been shown in museums from New York to Milwaukee to Pittsburgh to Houston. "But I'm not running away from being black," he insists. "I live in a ghetto-type situation now, and I'm involved with trying to get new low-cost housing in this neighborhood. It's different...

Author: /time Magazine | Title: Art: Object: Diversity | 4/6/1970 | See Source »

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