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...Carnal Knowledge, their vision is scan deep. Save at the beginning, men and women address one another and are treated as mere organs. Coupling is viewed with righteous distaste. Sex, though essentially joyless as practiced by these characters, must be followed by punishment. The film does glitter with explicit wit, but far too often it is reduced to attitudes posing as people, glimpses pretending to be insights...

Author: /time Magazine | Title: Cinema: Spiritual Disease | 7/5/1971 | See Source »

...International Pictures. His company has deserted the previously profitable motorcycle and horror genres in favor of remakes of Les Miserables, A Tale of Two Cities and Camille. All three are fit fare for the family trade. Arkoff is not alone in his judgment that there is a backlash against explicit sex on film. Even freewheeling New York City Distributor Donald S. Rugoff admits to hesitation over an R rating. "I never bought a film before with ratings in mind," he says, "but I do now. The hassle just isn't worth...

Author: /time Magazine | Title: Show Business: Rating the Rating System | 5/31/1971 | See Source »

...force. Nonetheless, on entering government in January 1969, he had few illusions about what an American withdrawal would involve. According to one man who consulted with Kissinger in the preparation of the first Vietnam options paper, "He felt that the threat of escalation was essential. He was very explicit about that. He thought you couldn't negotiate without...

Author: By David Landau, | Title: Kissinger: Facing Down the Vietnamese | 5/28/1971 | See Source »

...conduct of foreign affairs. In as early a tract as A World Restored, Kissinger had written that "the impetus of domestic policy is a direct social experience; but that of foreign policy is not actual, but potential experience-the threat of war-which statesmanship attempts to avoid being made explicit." In other words, popular opinion was little more than an encumbrance on those few who were capable of making decisions. For if the foreign diplomat were allowed to feel that the President's policy could be swayed by domestic upheavals, then the credibility of threat-the lynchpin of the policy...

Author: By David Landau, | Title: Kissinger in the White House: A Man of Many Options | 5/25/1971 | See Source »

Judd's work looks remote, but it is intended to be the very opposite-concretely present. A box is a box is a box, and Judd makes the point explicit by placing a series of identical boxes in a row, without variation, on the gallery floor. "The thing about my work," says Judd, "is that it is given." Each sculpture is determined in advance-there is no sense that it has grown under the artist's hand; in fact all his work for the past few years has been fabricated to his designs in a factory...

Author: /time Magazine | Title: Art: Exquisite Minimalist | 5/24/1971 | See Source »

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