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Dates: during 2000-2009
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Victorian attitudes to children were famously forbidding. That might partly explain why London's Museum of Childhood is little heard of by most visitors to the capital. Then there's the building itself - a red-brick and iron shed, an unloved[an error occurred while processing this directive] remnant of the Victoria and Albert Museum in Kensington that in 1872 was rebuilt in Bethnal Green as a cultural outpost for the museum's overspill, particularly its collection of dolls and children's costumes. Some of the gloom and an aura of worthiness persisted even after its rebirth as the Museum...

Author: /time Magazine | Title: Kiddie Kingdom | 12/12/2006 | See Source »

...explain Hannibal is to remove the reason for his tenacious, voracious hold on readers: his otherness, odious and seductive, and unexplainable by delving into his past. As the good doctor himself argued (in Silence): "Nothing happened to me. I happened. You can't reduce me to a set of influences." Yet that's just what Harris started doing in Hannibal and what consumes the current volume. The author tries hedging his bets by writing, in Rising: "He is growing and changing, or perhaps emerging as what he has ever been." But the thrust of the book is to make Hannibal...

Author: /time Magazine | Title: Becoming Hannibal Lecter | 12/11/2006 | See Source »

Your next film, tentatively titled Hound Dog, is about some very adult themes, including sexual abuse. Can you explain...

Author: /time Magazine | Title: 10 Questions for Dakota Fanning | 12/10/2006 | See Source »

...homey in-store experience translates to a drive-through is another question. Executives try to explain, but the disconnect is so obvious that the Starbucks drive-through is lately being reinvented. Some changes boost efficiency (an order-confirmation screen reduces errors), but plenty of the redesign is aesthetic. Neatly landscaped hedges and big drawings of coffee pots funnel you through a chute that takes you round to the pickup window, which is broad and deep and designed to visually draw you into the store...

Author: /time Magazine | Title: The Big Gulp at Starbucks | 12/10/2006 | See Source »

Lillian Ritchie ’08 also performs commendably in “Merge” as a businesswoman who attempts to explain a traumatic travel experience to her increasingly upset husband (Hoagland). Ritchie presents a complex character competently in this drama, presenting a believable mix of the rational and irrational in her role...

Author: By Mary A. Brazelton, CRIMSON STAFF WRITER | Title: ‘Autobahn’ Is An Emotional Ride | 12/10/2006 | See Source »

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