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The very mention of photography has long repelled serious easel painters, despite the fact that Corot, Cézanne and Manet all made use of the camera. Corot got the idea for his blurry landscapes from seeing an early silver print. Cézanne used photographs for his self-portraits...

Author: /time Magazine | Title: Painting: Realer than Real | 8/16/1968 | See Source »

IN 1964 an eve-of-execution atmosphere enveloped San Francisco as the Republican Party convened to nominate its presidential candidate. Lyndon Johnson was at the zenith of his popularity. The G.O.P. was preparing to counter him with Barry Goldwater, an all-but-certain loser. The economy was booming, taxes were...

Author: /time Magazine | Title: Nation: KEYNOTE TO OPPORTUNITY | 8/9/1968 | See Source »

Kraslow and Loory, both able Washington correspondents for the Los Angeles Times, illustrate the point with a wealth of diligently acquired detail, much of it, indeed, secret. In late 1966, Ambassador Henry Cabot Lodge conferred repeatedly with a Polish diplomat who shuttled between Hanoi and Saigon. Shrouded plans (code-named...

Author: /time Magazine | Title: Books: Fumbled Hopes | 8/9/1968 | See Source »

In the ghetto, when a man in uniform comes to the door he is not selling tickets to a ball; he has come to take your, home, your job, your possessions, or your children. It is the innumerable writs of execution that the sheriff's office has served over...

Author: /time Magazine | Title: Letters: Aug. 2, 1968 | 8/2/1968 | See Source »

What Ludwig created was a style. Though politically a puppet, he possessed the taste, the ability and the resources to blend Romanesque, Oriental, Moorish and rococo influences into what later became known as the Jugendstil-the German equivalent of art nouveau. Petzet's point is spectacularly documented in a...

Author: /time Magazine | Title: Exhibitions: Eclectic Eccentric | 8/2/1968 | See Source »

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