Word: exceptionality
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...last 30 years, Boston has been going Baroque. However, except for a devoted contingent of fans, few Harvard students are aware that Boston features the preeminent early music scene in America, if not the world.The early music genre encompasses European music from the fifteenth through eighteenth centuries, as performed on historically accurate, or period, instruments. Boston is currently home to numerous internationally-renowned vocal and orchestral early music groups, as well as dozens of smaller, but equally talented, ensembles. “Boston is the birthplace of period instruments and performance,” explains Carole Friedman, the executive director...
...Same reason I’m there, except with my buddies I like to defend Drew Housman as a viable four-year point guard while these kids like to organize some sweet brass and wind arrangements. And I, for one, don’t need a trombone in the background to get excited about a go-ahead goal or a key second-half defensive stop...
...05, who was a Crimson Editorial Chair, was directing Pinter’s ‘Betrayal,” and asked me to be his stage manager,” Dorin says. “Since then I’ve tried almost every staff position, except light design, because I’m color-blind, and technical direction, because I’m petrified of the table-saw.”Dorin first tackled the role of director last year, with Edward Albee’s “Three Tall Women.” He describes...
...said, but her sorority sister seemed a bit closer to the catwalk. Hardee has competed in beauty pageants in the past, and she even aspired to be Miss Junior Alabama. She’s never actually modelled, but she’s closer than most. Except, of course, for Laura Duncan. A student at the Graduate School of Design, Duncan brought along a leather binder full of photos from past modeling jobs, for which she has earned up to $3,500. Like the freshman and sophomore modeling neophytes, she is tall and thin. But unlike the younger girls, Duncan...
...05, who was a Crimson Editorial Chair, was directing Pinter’s ‘Betrayal,” and asked me to be his stage manager,” Dorin says. “Since then I’ve tried almost every staff position, except light design, because I’m color-blind, and technical direction, because I’m petrified of the table-saw.” Dorin first tackled the role of director last year, with Edward Albee’s “Three Tall Women.” He describes...