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...realize that going professional will require a lot of sacrifices, like learning what an engine is and growing a mustache. But I'm willing, because there truly is no greater thrill in sports than crushing a car. Except maybe crushing a school...

Author: /time Magazine | Title: Digging My Own Grave | 8/13/2001 | See Source »

...with its $350,000 annual rent (his first choice, Carnegie Towers in midtown, would have cost taxpayers $800,000), it was full-frontal Clinton--winking, mugging at the most mundane remarks, pointing excitedly into the crowd as if he had just spotted a long-lost friend or a donor. Except for Senator Chuck Schumer, stage center, trying to boogie with the homeboys, it was picture perfect, a routine ribbon cutting turned into exuberant street carnival. Cable dropped its split-screen coverage of Clinton alongside the current President giving a speech, and went with full-screen coverage of an ex-President...

Author: /time Magazine | Title: Showtime at the Apollo | 8/13/2001 | See Source »

...there is nothing crudely propagandistic about Westermann's war images. Like the rest of his work--except for the letters and drawings, which tend to be dirty and rawly funny--they are understated, oblique, and sneak up on you. They imply both sudden disasters and long cultural histories. Thus some of the Death Ships link back to the awful sense of abandonment envisaged by Coleridge in The Ancient Mariner, "idle as a painted ship upon a painted ocean," or in their case a sculpted ship on a sculpted ocean. Who else would envisage, as a symbol of progress, an object...

Author: /time Magazine | Title: Art: The Aesthete As Popeye | 8/13/2001 | See Source »

Which other artists did he resemble? Not many, it turns out. Miro, in brief flashes. You could think of Westermann's strand of buckeye Surrealism and make him out to be a wood-butchering cousin of Joseph Cornell's, except that he didn't have Cornell's haunted preciousness, his extended nostalgia for a dream Europe. While Cornell was fantasizing about long-dead French courtesans like Cleo de Merode and building mossy palaces for paper owls, Westermann was chopping dovetails, perfect ones at that, and constructing scary, haunting emblems of death, loss and love...

Author: /time Magazine | Title: Art: The Aesthete As Popeye | 8/13/2001 | See Source »

Andrea L. Olshan ’02, the social club’s incoming president, would not comment on the status of the club’s plans, except to say that officers were planning fall and spring punches, as well as a charity event...

Author: By David H. Gellis, CRIMSON STAFF WRITER | Title: Pudding Social Club Applies for Group Status | 8/10/2001 | See Source »

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