Word: evening
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Dates: during 2000-2000
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...knows man, because we did that before. You know we're a corporation, but we're from the street. It's hard sometimes for the average person to come work with us. People be scared of us man, I ain't even gonna front on you, man. I know TIME's like a big magazine, so I don't like to really be talkin' like this. But people are intimidated by us. Say you're an accountant and you come to our office and see that many of us and you feel all this pressure not to mess...
...money," and maybe I'll snap into it. But in five years? We're gonna be grown men that succeeded in the American dream. We came from sleeping on pissy mattresses to Trump Plaza suites. I used to be a messenger. Back then I couldn't even get into a lot of these buildings and now I'm invited to the penthouses. I wish America would take a look and realize the prodigal children that was produced from the hells of America. We weren't produced in heaven, man. I go to all different countries, and the first thing they...
...brands trying to be cool, though, ubiquity can be a bad thing - just ask Gucci. The W began showing up on too many things, while the band hardly showed up at all. It got to a point where the whole group assembled only once a year. And getting together even that often looks impossible since last month, when Clanster ODB, who faces a host of drug and weapons charges, became a fugitive from justice...
...living in South Africa. The Burgesses are fundamentally good people caught up in larger political forces. Ironically enough, Harry wants to take the family to visit Gandhi's house, and he pays the servants more than the British neighbors do. Patrice is a liberal who knows about Che Guevara, even if she brings the name up only to spit it right back at idealistic Alec. Patrice had ideals, but they have precipitated into a wickedly sardonic sense of humor-for example, "What does a woman interested in American art do when they stop making the stuff?" The Burgesses wouldn...
...last weekend, an audience member's instinct would be to run in the opposite direction. For the production of Phyllis Nagy's Disappeared the black box theatre was filled with artificial fog from a smoke machine. The room was stuffy, smelly and hot and the production hadn't even started. It's arguable as to whether the pollution was worth the effect it had on the production, but it did serve to produce the proper atmosphere for this dark and disturbing play...