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Harvard College at its inception was committed to the principle. "Veritas, Christo, et Ecclesiae" -Truth, Christ, and the Church. In the 20th century, Harvard's commitment was reduced to merely "Veritas." If we dispense with academic freedom in Harvard College in 1971, why don't we also, to be honest, also dispense with "Veritas...

Author: By John C. Webb, | Title: The Mail TWO AND TWO TOGETHER | 4/30/1971 | See Source »

...this pictures poses no political threat to anybody's system. Jean-Luc Godard recently said: "If movie makers were building airplanes, there would be an accident every time one took off. But in the movies, these accidents are called Oscars." Instead of meditating/postulating/lauding on the Artist's manifold intentions, et cetera, since his rudimentary competence is now established, perhaps we should ask the larger question about why such films are so highly rewarded, about what they are built-objectively designed-to do. To go someplace? Or simply to parade prettily around the runway...

Author: By Jim Crawford, | Title: Exploitation Movies Investigation of a Citizen Above Suspicion | 4/23/1971 | See Source »

...Next year, of course, Lewis, Brown, et, al. will have a season of varsity experience behind them. With the addition of Tony Jenkins from the freshman team and transfer Jim Fitzsimmons from Duke, the prospects could be staggering. "Fitzsimmons has an incredible shot." Lewis said...

Author: NO WRITER ATTRIBUTED | Title: Floyd Lewis Rejected Big Time For Harvard's Fold-Out Stands | 3/9/1971 | See Source »

More specifically, they are works of theatre, as The Golden Coach (1952) explicitly states and French Can Can (1952) and Elena et les Hommes (1956) elaborate. In these works the personal acting styles of the characters become extravagant to the point of farce. Like the aristocrats of Regle, those of Elena dash about with an apparent anarchy whose larger order imposes melancholy on the film, since this order limits them to acting in a social farce instead of letting them express their individual passions freely. The emotions that end Elena rank with the most complex in cinema. for the film...

Author: By Mike Prokosch, | Title: Films Le Grand Theatre de Jean Renoir | 2/24/1971 | See Source »

...defined in New York, and some critics find this hard to forgive. "It is apparently as easy," snorted one writer in Art forum recently, "to rack up in Los Angeles as an artist as it is to be a stringer of beads. In California, the idea of luxe, calme et volupté is simplified into prettiness and expensive-lookingness...

Author: /time Magazine | Title: Art: View from the Coast | 2/1/1971 | See Source »

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