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...ended last week the four-month mental marathon that had accomplished the transformation of an egghead into a TV darling (TIME, Feb. 11 et seq.). By failing to name Belgium's King Baudouin, Van Doren lost the game on NBC's Twenty One to Mrs. Vivienne Nearing, a blonde barrister who had tied him for two weeks running. The loss shaved Van Doren's take from $143,000 to $129,000, still the largest prize ever awarded on any single program. Income taxes will slice this sum plus the annual $4,500 he gets as an English...

Author: /time Magazine | Title: Television: Whither Charley? | 3/25/1957 | See Source »

Financially, American imitators are doing better than such authentic calypso singers as the Duke of Iron, or Lord Flea and His Calypsonians (Lord Fish Ray, Count Spoon, et a/.), whose cleaned-up version of the nocturnal wanderings of a flea (The Naughty Little Flea; Capitol) is also a nightclub favorite. All told, calypso records account for roughly a quarter of current pop sales...

Author: /time Magazine | Title: Music: Calypsomania | 3/25/1957 | See Source »

PROXY TURNABOUT will send Fairbanks, Morse's President Robert H. Morse Jr. after seat on board of Penn-Texas Corp. at annual meeting in May. Insurgents plan to put up full slate of directors to oppose Penn-Texas' President Leopold Silberstein (TIME, Dec. 17 et seq.), who is fighting to win control of Fairbanks, Morse...

Author: /time Magazine | Title: Time Clock, Mar. 11, 1957 | 3/11/1957 | See Source »

...remainder of the program--Beethoven's First Leonore, Debussy's Danses Sacrees et Profanes, Brahms' First Symphony--was full of moments that made it difficult for a person with a taste for grotesque humor to keep from laughing aloud. The trouble lay primarily in three things--the terrible out-of-tuneness of the strings, the lifelessness of the playing, and the lack of intensity and precision in Attilio Poto's conducting. Each contributed to the others...

Author: By Bertram Baldwin, | Title: The Harvard-Radcliffe Orchestra | 3/11/1957 | See Source »

...between poetry and Strum and Drang lies in intensity of emotion or dramatic nature of the subject. Actually Goya's "Disasters of War," certainly more graphic than anything here, or Picasso's "Guernica," more symbolic and abstract than anything here, answer an emphatic no. For if Barlach, Kollwitz, Grosz, et al, utter an emotional cry from the blackness of chaos and confusion, it is Picasso and Goya who offer, with emotion disciplined. "right" and "inevitable," an answer which cannot help being true...

Author: By Lorenz Poppagianeris, | Title: War and the Arts | 3/9/1957 | See Source »

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