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John Paul II realized that with all these forces unleashed, his first public appearance as Pope demanded more than the traditional first Urbi et orbi (to the city and the world) blessing. He broke precedent by delivering a brief speech. As the crowd roared, he strode forward and gripped the balustrade pugnaciously, arms outstretched. His rugged 5 ft. 10½ in. frame, craggy high-cheekboned Slavic features and athletic posture all bespoke self-confidence and authority. "Blessed be Jesus Christ," he began in his firm, resonant baritone voice. It was a traditional Italian priestly salutation, rarely heard in recent years...

Author: /time Magazine | Title: A Foreign Pope | 10/30/1978 | See Source »

...tent circus on the cobblestone plaza of Paris' skeletal-modern Pompidou arts center, there is what looks like a subway entrance marked IRCAM. It leads down, four levels below, to the world's newest, most sophisticated center for musical experiment and composition, officially titled Institut de Recherche et de Coordination Acoustique/Musique. IRCAM is a hushed place that fairly radiates energy and cerebration. Here the ordinateur, as the French call a computer, reigns. In one lab, a group is seeking its aid in constructing a new, futuristic flute. In another, a composer is using it to produce a sound...

Author: /time Magazine | Title: Music: The Night the Walls Moved | 10/30/1978 | See Source »

...English teacher) were full of encouragement when she decided that she wanted to change her educational direction from Russian studies to acting. At 15, freckled, a bit chubby, with the look of a beauty five years before she would be beautiful, she had a small part in Faustine et le Bel Etc. Even then she was very much self-propelled, and by now she has an unusually firm idea of what she wants to do with her career. She has just finished playing Anne, the youngest Bronte, in Andre Techine's The Bronte Sisters. She prefers directors...

Author: /time Magazine | Title: Cinema: Behind the Wall | 10/23/1978 | See Source »

...before you can dwell on the strength of the first rocker, Chicago comes back with a soft, mellow love song, done with great control and feeling by bassist Peter ("et") Cetera. It may not be their most effective attempt, but sandwiched between two hot, hard-driving numbers it does very well for itself. While Cetera and Dacus, along with pianist Bobby Lamm, do all the vocals, the highlighted instrument in each number varies, with flutes, trombones, guitars, pianos, and even synthesizers snaking their way through the medley of sound. Chicago pieces are rarely dominated by a single performer. However...

Author: By Eric B. Fried, | Title: Alive Again | 10/18/1978 | See Source »

Wednesday, October 18: Film: "Jules et Jim," see Monday...

Author: NO WRITER ATTRIBUTED | Title: WHAT is to be done at? | 10/12/1978 | See Source »

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