Word: errors
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Dates: during 1970-1979
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Because of the mud and stagnant water, neither team could play an outstanding game, but the Crimson showed a determined effort. On a field that baffled any attempts at a coordinated attack, Harvard's forward line combined for three excellent goals. The Crimson defense never made a major error, although the slippery conditions exaggerated every mistake...
...prediction that Harvard would win 28-14 last week was a typographical error. It was 28-24 on the copy, but due to an overdose of Cap'n Crunch, Feenie set it wrong...
...dormitory must do more than balance chunks of stone. People live in Mather House. The thoughtfulness of the architect in providing ample wall outlets and tub-showers does not outweigh his most serious error, the absence of living rooms in almost every student tower "suite." People need a sense of turf, a feeling that some familiar piece of space is always waiting to have emotions projected onto it. "If I'm unhappy and just want to get out of my room for a minute," said a senior occupying a tower single, "I leave my room and go look...
...imprimatur of Washington's conservative Patrick Cardinal O'Boyle, the N.A.B. enshrines many Protestant critical theories that have won wide acceptance in Catholic seminaries in the past 20 years. The Douay preface once reminded everyone that since God inspired the Bible, it could have no "formal error," and that the church must be the ultimate interpreter. These dicta are now missing. In other departures from Douay, the N.A.B. questions the Bible's strict historical accuracy, avoids old insistences that Matthew (which contains key passages bearing on Catholic dogma) was the earliest Gospel, and confesses uncertainty about...
...litany of irony and error is unending. Emperor Hirohito is outmaneuvered by his military cadre; President Roosevelt is crossed off the confidential list because the generals distrust his advisers. Bureaucracy and blind tradition amplify each error beyond calculation. No single man can be blamed, and no villains or heroes emerge from this foundering, slipshod-and hypnotic-drama. That judgment must hold not only for those who lived it but also for those who filmed it. Three directors, one American (Richard Fleischer) and two Japanese, Toshio Masuda and Kinji Fukasaku, have managed to move crowds and planes, but not the viewer...