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Swingin' the Dream (by Gilbert Seldes & Erik Charell; produced by Erik Charell in association with Jean Rodney). With Shakespeare a hit last season in musicomedy (The Boys from Syracuse) and The Mikado a hit in swing, it was dollars to doughnuts that Broadway would not rest until it had swung the Bard himself. Last week at Radio City's huge Center Theatre it swung him high & wide, turning A Midsummer-Night's Dream into a lavish jitterbug extravaganza. Shifting the scene from Athens to New Orleans around 1890 ("At the Birth of Swing"), it displayed clarinet-tooting...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 11, 1939 | 12/11/1939 | See Source »

Last week Chief of Denmark's Armed Forces Lieut. General Erik With celebrated his 70th birthday and (that being the Army's age limit) his retirement. He was succeeded by Major General William Wain Prior, 63, a tall, slender man with a deep-lined face and penetrating eyes, who is modest, sober, steady, a little bureaucratic, of bourgeois stock. Like his father, one of Denmark's respected class called grosserer (wholesale merchants), General Prior is an economizing man. He hates to think about the way the blockade is ruining Denmark's exports of foodstuffs. Day after...

Author: /time Magazine | Title: DENMARK: Economy | 12/4/1939 | See Source »

...Page, Let Freedom Ring, etc.), he forswore 15 months' salary to write it. (His movie salary is around $6,000 a week.) But for Hecht it was "fun writing what I want-without having Sam Goldwyn peering over my shoulder." Fun for Hecht has heretofore meant novels like Erik Dorn, Count Bruga, A Jew in Love-gaudy, swashbuckling, ranting books, splashed with dead-pan vehemence, a sort of Ouija-board mysticism, a little sour cream of human kindness-all with a suggestion of having been written by a slightly phoney, Dostoievskian pixy...

Author: /time Magazine | Title: Books: Fun from Hollywood | 6/19/1939 | See Source »

Sandy Calder, son of Sculptor A. Stirling Calder, gave up painting when he found that "wire, or something to twist, or tear, or bend, is an easier medium for me to think in." He has made a circus of bent-wire figures, a mobile setting for a musical work (Erik Satie's Socrate), in which steel hoops, colored discs and rectangles, "very gentle," move during the performance. At the Paris Exposition he constructed a fountain of mercury flowing through tubes; for the Consolidated Edison Building at the New York World's Fair he designed a "Water Ballet...

Author: /time Magazine | Title: Art: Motion Man | 5/29/1939 | See Source »

Satie: Gymnopédie Nos. I & 2. (Philadelphia Orchestra, Leopold Stokowski conducting: Victor). French musical impressionism had three inventors: Claude Debussy, Erik Satie and Ernest Fanelli. Today only Debussy is remembered as a front ranker. But these two little pieces, orchestrated by Debussy, are as deft and fresh as Seurat water colors...

Author: /time Magazine | Title: Music: March Records | 3/6/1939 | See Source »

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